Actions caused by great sexual excitement may be found in the life of many a saint. Augustinus, in his confessions, says: “My heart was burning, boiling and foaming with unchastity; it was poured out, it overflowed, it went up in licentiousness.” Origines found sexual abstinence too difficult and castrated himself. For that reason he never was canonized. For the spirit should kill the flesh. Parkman’s report about Marie de l’Incarnation is highly interesting in this respect. She heard, while in a trance, a miraculous voice, Christ promising to become her spouse. Months and years passed, when again the voice sounded in her ear, this time with the assurance that the promise was fulfilled, that she was indeed his bride. Now ensued phenomena which are not infrequent among female devotees, when unmarried or married unhappily. In her excited imagination, the divine spouse became a living presence, and her language to him, as recorded by herself, is of intense passion. Her prayer is, “O! my Love! when shall I embrace you? Have you no pity on the torments which I suffer? Alas, alas, my Love, my Beauty, my Life! Instead of healing my pain you take pleasure in it. Come, let me embrace you and die in your sacred arms.” A curious instance of perversion in religio-sexual feeling, bordering on zoöerastia, is the case of St. Veronica. According to Friedrich she was so enamored of the divine lion, symbolizing St. Mark, that she took a lion whelp to her bed, fondled it, kissed it “et præbebat ei mammas.” Thus the preaching of the Church on the subjugation of the flesh was no great success even among the saints. If the ascetics are not frigid they remain subject to the emotions of sex. Mankind at large is surely ruled by the dictates of the sex-urge, in our day no less than at the time of sex-worship. Especially do all feminine thoughts, aspirations and pursuits aim, though sometimes unconsciously, at love, in spite of our false modesty, prudery and conspiracy of silence about the fundamental facts of reproduction. One glance at the fashions in dress will bear out this contention. The question of dress surely rules the thoughts and actions of a majority of our modern women. Now what is the meaning of dress? Grosse in his “Anfänge der Kunst” shows that the desire for clothes was originally an irradiation of the sex instinct. The man adopted dress for the purpose of decoration, the woman for the purpose of attraction through covering. The first coverings of the private parts served as an ornament of the same and to render the parts covered more conspicuous. For where nudity generally prevails, the practice of covering certain parts of the body excites curiosity and solicits the observation of the other sex. Mortimer reports that in Australia girls cast off their aprons after marriage, being no longer anxious to engage the notice of men.