Love After Marriage; and Other Stories of the HeartHentz, Caroline Lee
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Love After Marriage; and Other Stories of the Heart
Hentz, Caroline Lee
Fiction; Short stories, American
"Forgive me," cried Mary, with irresistible frankness; "foolish I may be,
indeed I know I am; but intentionally unkind to you--never--never."
It did not require the recollection of all Mary's tried friendship and
sincerity, for Augusta to accord her forgiveness. Mary was more
guarded afterwards in the expression of her admiration, but Augusta,
in her imagination, had drawn the horoscope of Mary's destiny, and
Clarence shone there, as the star that was to give it radiance. A
constant guest of her father's, she thought it impossible for him to
witness Mary's mild, yet energetic virtues, without feeling their
influence. She was interesting without being beautiful, and Clarence
evidently delighted in her conversation. To her, he was always more
reserved, yet there was a deference, an interest, a constant reference
to her wishes and opinions, that was as delicate as it was flattering.
He was the companion of their walks, and nature, never more lovely
than in this delightful season, acquired new charms from the
enthusiasm with which he sought out and expatiated on its beauties.
Mr. Manning was passionately fond of music, and every evening Mary and
Augusta were called upon for his favourite songs. Now the music was
finer than ever, for Clarence accompanied them with his flute, and
sometimes with his voice, which was uncommonly sweet and melodious.
One evening Augusta was seated at the piano; she was not an excelling
performer, but she played with taste and feeling, and she had
endeavoured to cultivate her talent, for she remembered that Allison
was a lover of music. She had played all Mr. Manning's songs, and
turned over the leaves, without thinking of any particular tune, when
Clarence arrested her at one, which he said was Allison's favourite
air. "Let us play and sing that," said he, repeating the words, "your
husband loves it, we were together when he first heard it; it was sung
by an Italian songstress, whom you have often struck me as resembling.
The manner in which your hair is now parted in front, with those
falling curls behind, increases the resemblance; it is very striking
at this moment."
Augusta felt a strange pang penetrate her heart, when he asked her for
her husband's favourite. There was something, too, in his allusion to
her personal appearance that embarrassed her. He had paid her no
compliment, yet she blushed as if guilty of receiving one. "I cannot
play it," answered she, looking up, "but I will try to learn it for
his sake." She could not prevent her voice from faltering; there was
an expression in his eyes, when they met hers, that bowed them down,
in shame and apprehension. It was so intense and thrilling--she had
never met such a glance before, and she feared to interpret it.
Public-domain text, read in full here on John Shaqi.
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