Garnet hated Dolly Strange without further evidence. "And what do you think of it, me dear?" "I like it," said Phyllis decidedly. The carriage swam before Garnet's eyes. "I think it is very clever. I shall keep it." "Bless you," thought Garnet, "and I will write my precious autograph on every page, if you want it." "I wonder who Jeremy Garnet is?" said Phyllis. "I imagine him rather an old young man, probably with an eyeglass and conceited. He must be conceited. I can tell that from the style. And I should think he didn't know many girls. At least, if he thinks Pamela Grant an ordinary sort of girl." "Is she not?" asked her father. "She's a cr-r-reature," said Phyllis emphatically. This was a blow to Garnet, and demolished the self-satisfaction which her earlier criticisms had caused to grow within him. He had always looked on Pamela as something very much out of the ordinary run of feminine character studies. That scene between her and the curate in the conservatory.... And when she finds Arthur at the meet of the Blankshire.... He was sorry she did not like Pamela. Somehow it lowered Pamela in his estimation. "But I like Arthur," said Phyllis, and she smiled--the first time Garnet had seen her do so. Garnet also smiled to himself. Arthur was the hero. He was a young writer. Ergo, Arthur was himself. The train was beginning to slow down. Signs of returning animation began to be noticeable among the sleepers. A whistle from the engine, and the train drew up in a station. Looking out of the window, Garnet saw that it was Yeovil. There was a general exodus. Aunty became instantly a thing of dash and electricity, collected parcels, shook Albert, replied to his thrusts with repartee, and finally headed a stampede out of the door. To Garnet's chagrin the Irish gentleman and his daughter also rose. Apparently this was to be the end of their brief acquaintanceship. They alighted and walked down the platform. "Where are we?" said Ukridge sleepily, opening his eyes. "Yeovil? Not far now, old horse." With which remark he closed his eyes again and returned to his slumbers. Garnet's eye, roving disconsolately over the carriage, was caught by something lying in the far corner. It was the criticized "Maneuvers of Arthur." The girl had left it behind. What follows shows the vanity that obsesses our young and rising authors. It did not enter into his mind that the book might have been left behind of set purpose, as being of no further use to the owner. It only occurred to him that if he did not act swiftly the lady of the hair and eyes would suffer a loss beside which the loss of a purse or a hand bag were trivial. He acted swiftly. Five seconds later he was at the end of the platform, flushed but courteous. "Excuse me," he said, "I think--" "Thank you," said the girl. Garnet made his way back to his carriage. "They are blue," he said. THE ARRIVAL IV