Great Britain -- History -- Medieval period, 1066-1485 -- Fiction; Man-woman relationships -- Fiction
Two days after his confessions on the cliff, Fulviac took horse, mounted
Yeoland on a white palfrey, and rode for Gilderoy through the forest.
The man was upholstered as a merchant, in a plum-coloured cloak, a cap
of sables, and a Venetian mail cape. Yeoland wore a light blue jupon
edged with silver, a green kirtle, a cloak of brocaded Tartarin. She
rode beside the man, demure as a daughter, her bridle of scarlet leather
merry with silver bells. Two armed servants and some six packhorses
completed the cavalcade.
Fulviac had fallen into one of his silent moods that day. He was
saturnine and enigmatic as though immersed in thought. The girl won
nothing from him as to the purpose of their ride. They were for
Gilderoy; thus much he vouchsafed her, and no more. She had a shrewd
belief that he was for giving her tangible evidence of the hazardous
schemes that were fermenting under the surface of silence, and that she
was to learn more of the tempest that was gathering in the dark. Being
tactful in her generation, she asked him no questions, and kept her
conjectures to herself.
They broke their ride to pass the night at a wayside hostelry, where the
road from Gambrevault skirted the forest. Holding on at their good
leisure on the following day, they entered Gilderoy by the northern
gate, towards evening, with the cathedral bell booming a challenge to
the distant sea. Crossing the great square with its tall mansions of
carved oak and chiselled stone, they plunged into a narrow highway that
curled downhill under a hundred overhanging gables. Set back in a murky
court, a tavern hung out its gilded sign over the cobbles, a Golden
Leopard, that groaned in the wind on its rusty hinges. The inn’s
casements glowed red under the gloom of roof and bracket. Fulviac rode
into its stone-paved court with its balustraded gallery, its carved
stairways, its creaking lamps swaying under the high-peaked gables.
Their horses were taken by a lean groom, blessed with a most malevolent
squint. On the lower step of the gallery stair stood a rotund little
man, with a bunch of keys reposing on his stomach, the light from a
lantern overhead shining on his bald pate, as on a half sphere of
alabaster. He seemed to sweat beef and beer at every pore. Shuffling
his feet, he tilted his double chin to the sky, as though he were
conducting a monologue under the stars.
"No brew yet," he hummed in a high falsetto, throaty and puling from so
ponderous a carcase.
Fulviac set one foot on the stairs.
"St. Prosper’s wine, fat Jean," he said.
The rotund soul turned his face suddenly earthwards, as though he had
been jerked down by one leg out of heaven.
"Ah, sire, it is you."
"Who else? What of the good folk of Gilderoy?"
"Packed like a crowd of rats in a drain. Will your honour sup?"
The man stood aside with a great sweep of the hand, and a garlic-ladened
breath given full in Yeoland’s face.
"And the lady, sire, a cup of purple; the roads are dry?"
Public-domain text, read in full here on John Shaqi.
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