There had been trickery in the miracle, a tinge of flesh in the vision. The Virgin, in the ruck of religion, had suffered herself to be personated by a clever little "player" from Gilderoy, aided and idealised by a certain notorious charlatan who dealt in magic, was not above aiding ecclesiastical mummeries on occasions, and conspiring for the solemn production of miracles. A priest’s juggling box, a secret door at the back of the altar used in bygone days for the manipulation of a wonder-working image, musicians, incense, and Greek fire. These had made the portent possible. As for Fulviac, rugged plotter, he was as grave as an abbot over the business; his words were wondrous beatific; he spoke of the interventions of Heaven with bated breath. It was a superstitious age, touched with phantasy and gemmed with magic. Relics were casketed in gold and silver; holy blood amazed with yearly liquefactions the souls of the devout; dreamers gazed into mirrors, crystals, finger-nails, for visions of heaven. Jewels were poured in scintillant streams at the white feet of the Madonna. It was all done with rare mysticism, colour, and rich music. The moon ruled marriage, corn, and kine. The saints, like a concourse of angels, walked with melancholy splendour through the wilds. As for the girl Yeoland, she had the heart of a woman in the noblest measure, a red heart, pure yet passionate. The world waxed prophetic that shrill season. She was as full of dreams and phantasies as an astrologer’s missal. Nothing amazed her, and yet all earth was mysterious. The wind spoke in magic syllables; the trees were oracular; the stars, white hands tracing symbols in the sky. She was borne above herself on the pinions of ecstasy, heard seraph wings sweep the air, saw the glimmer of their robes passing the portals of the night. Mysticism moved through the world like the sound of lutes over a moonlit sea. One March morning, Fulviac came to her in the northern chamber of the cliff. Yeoland had masses of scarlet cloth and threads of gold upon her knees, for she was broidering a banner, the banner of the Maid of Gilderoy. Her eyes were full of violet shadow. She wore a cross over her bosom, emeralds set in silver; a rosary, dangling on her wrist, told how her prayers kept alternate rhythm with her fingers. Fulviac crooked the knee to the crucifix upon the wall, sat down near her on a rich bench of carved cedar wood. The man was in a beneficent mood, and beamed on her like a lusty summer. He had tidings on his tongue, tidings that he hoarded with the craft of an epicure. It was easy to mark when the world trundled well with his humour. He put forth smiles like a great oak whose boughs glisten in the sun. "You will tire yourself, little sister." She looked at him with one of her solemn glances, a glance that spoke of vigils, soul-searchings, and prayer. "My fingers tire before my heart," she said to him. "Rest, rest." "Do I seem weary to you?"