Great Britain -- History -- Medieval period, 1066-1485 -- Fiction; Man-woman relationships -- Fiction
They went together to Fulviac’s parlour, where a great brazen lamp hung
from the roof, and a book bound in black leather lay chained on the
table. Yeoland took the man’s carved chair, while he stood behind her
leaning on the rail. She was paler than was her wont. Now and again
she pressed a hand to her breast, as though to stay the too rapid
beating of her heart.
Two guards bearing partisans came in from the guard-room with a man
bound and blindfold between them. A third followed, bearing a
two-handed sword naked over his shoulder. He was known as Nord of the
Hammer, an armourer like to a Norse Volund, burly, strong as a bear. The
door was barred upon them. One of the guards plucked the cloth from the
bound man’s face.
In the malicious imagery of thought, Yeoland had often pictured to
herself this Flavian of Gambrevault, a coarse, florid ruffian, burly and
brutal, a fleshly demigod in the world of feudalism. So much for
conjecture. What she beheld was a straight-lipped, clean-limbed man,
slim as a cypress, supple as good steel. The face was young yet strong,
the grey eyes clear and fearless. Moreover there was a certain lonely
look about him that invoked pity, and angered her in an enigmatic way.
She was wrath with him for being what he was, for contradicting the
previous imaginings of her mind.
Flavian of Gambrevault stood bound before her, an aristocrat of
aristocrats, outraged in pride, yet proud beyond complaint. The
self-mastery of his breeding kept him a stately figure despite his
tumbling and his youth, one convinced of lordship and the powerful
splendour of his name. The whole affair to him was illogical,
preposterous, insolent. A gentleman of the best blood in the kingdom
could not be hustled out of his dignity by the horse-play of a bevy of
cut-throats.
Possibly the first vision to snare the man’s glance was the elfin
loveliness of the girl, who sat throned in the great chair as on a
judgment seat. He marked the rose-white beauty of her skin, her
sapphire eyes gleaming black in certain lights, her ebon hair bound with
a fillet of sky-blue leather. Moreover, it was plain to the man in turn
that this damoisel in the red gown was deciphering his features in turn
with a curiosity that was no vapid virtue. As for Fulviac, he watched
them both with his amber-brown eyes, eyes that missed no movement in the
mask of life. To him the scene under the great brazen lamp was a study
in moods and emotions.
The aristocrat was the first to defy the silence. He had stared round
the room at his leisure, and at each of its motionless figures in turn.
The great sword, slanted in gleaming nakedness over Nord’s shoulder,
appeared to fascinate him for the moment. Despite his ambiguous
sanctity, he showed no badge of panic or distress.
Ignoring the woman, he challenged Fulviac, who leant upon the chair
rail, watching him with an enigmatic smile.
Public-domain text, read in full here on John Shaqi.
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