Great Britain -- History -- Medieval period, 1066-1485 -- Fiction; Man-woman relationships -- Fiction
Modred, a black man, burly, a bigot to honour, stood out a giant before
his fellows. His great sword quivered to the roof; his deep voice shook
the rafters.
"Blood, sire, blood."
The man in the white habit quailed, and held up his hands.
"Let me smite him as he kneels."
"Sirs, give me the courtesy of silence."
Flavian started from his chair and looked at the man, who knelt, huddled
into himself, at his feet. It was a scene replete with the grim
cynicism of life. Here was a man of mind and genius, cowering,
quivering before the strong wrath of a dozen muscular illiterates. Here
was the promulgator of bold truths, an utter dastard when the physical
part of him was threatened with dissolution. Not that this event was any
proof against the moral power of pagan self-reliance. Not that there
was any cause for the bleating of sanctimonious platitudes, or the
pointing of a proverb. A true churchman might have carved a fine moral
fable out of the reality. It would have been a fallacy. Fra Balthasar
was a coward. He had none of the splendid mental anatomy of a Socrates.
He would have played the coward even under the eye of Christ.
Silence had fallen. Far away, choked by the long throats of gallery and
stair, rose the wild, passionate screaming of a woman. It had the
rebellious, blasphemous agony of one flung into eternal fire. Without
modulation, abatement, or increase, malevolent, impotent, ferocious,
piteous, it pealed out in long, tempestuous bursts that swept into the
ears like some unutterable discord out of hell.
The kneeling man heard it, and seemed to contract, to shrink into
himself. His white habit was rent to the middle; his ashy face splashed
over with blood. He tottered and shook, his hands clasped over the nape
of his neck, for fear of the sword. His tongue clave to his palate; his
eyes were furtively fixed on the upreared yard of steel.
Torches and cressets flared. Servants stared and shouldered and gaped
in the screens; all the castle underlings seemed to have smelt out the
business like the rats they were. Modred’s knights put them out with
rough words and the flat of the sword. The doors were barred. Only
Flavian, the priest, and Modred and his men took part in that tribunal
in the hall of Avalon.
Flavian stood and gazed on Balthasar, the man of tones and colours. The
Lord of Gambrevault was calm, unhurried, and dispassionate, yet not
unpleased. The man’s infinite abasement and terror seemed to arrest him
like some superb precept from the lips of a philosopher. He had the air
of a man who calculates, the look of a diplomat whose scheme has worked
out well. From Balthasar he looked to Modred the Strong, the torchlight
lurid on his armour, his great sword quivering like a falcon to leap
down upon its prey. The distant screaming, somewhat fainter and less
resolute, still throbbed in his ears. He thought of Dante, and the
_bolgias_ of that superhuman singer.
Public-domain text, read in full here on John Shaqi.
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