But what she saw--all she saw--was the Laura she knew with a knowledge
that was at once so superficially close, and so little intimate. A woman
whose stillness of manner--a manner which at times made her appear
almost inanimate--covered, as Mrs. Tropenell had secret reason to know,
an extraordinary force of negative will power. It was a force which had
even pierced Godfrey Pavely's complacency, and shattered his firm belief
in all the rights that English law bestows on the man who has the good
or ill fortune to be a husband.
As Laura advanced into the room her hostess saw that her visitor's
beautifully shaped head, set proudly and freely on the slender
shoulders, was thrown back in a characteristic gesture of attention,
and, with a touch of reluctance, she admired afresh the masses of fair,
_cendré_ hair drawn back from the forehead in a way which to most women
would have been trying, yet which to this woman lent an air of
eighteenth-century charm and distinction.
There was no colour in Laura Pavely's face, but her eyes, heavy-lidded,
and fringed with eyelashes darker than her hair, were deeply blue.
To-night she was wearing a very simple evening dress, a white chiffon
tea-gown with a long black lace coat. The under dress was almost high to
the throat, but beneath the black lace the wearer's arms, soft, dimpled,
and rounded, were bare to the shoulder, and gleamed palely, revealingly.
Mrs. Tropenell wondered whether Laura knew that her arms were unusually
lovely; then, for she was a very honest woman, her conscience rebuked
her. Laura's faults with regard to men were faults of omission, not of
commission. Of course she was aware--she could not help being
aware--that she was a singularly attractive and distinguished-looking
creature. But she had always taken her own beauty, her own distinction,
just as she did the rare, distinctive features of her garden, and the
perhaps over-studied charm of her house--as something to be tended and
kept beautiful, but also to be guarded from alien indifferent eyes.
Perhaps because in these days every intelligent woman claims to be
picturesque and witty--beauty, sheer beauty, is somewhat under the
weather. Laura Pavely, to use the current jargon of her day, was not a
"success." She was thought to be affected, "deep," prudish, whereas she
was simply indifferent to the more commonplace human elements about her.
Public-domain text, read in full here on John Shaqi.
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