It was the fashion to call Rosedean ugly. The house had been built in
the 'sixties, by a retired butcher and grazier, and was of red brick
with white facings. But it was well built, and had far more real
distinction of appearance than the Queen Anne villas which now
surrounded Pewsbury. Also, Rosedean had been built on the site of an old
farmhouse, and Katty's lawn was fringed with some fine old trees, while
a grand old holly hedge concealed a well-stocked kitchen garden. On the
other side of the house were stabling for two horses, a coach-house, and
a paddock.
Katty had devoted a great deal of successful thought to the arrangement
of her dwelling. She knew she could neither compete with the stately
beauty of Laura's Tudor mansion, nor with the old-fashioned
eighteenth-century charm of Mrs. Tropenell's house, so she wisely made
up her mind that her surroundings should be simply bright, pretty and
cosy. Her drawing-room was in its way a delightful room, and those
walking through into it, from the rather dark, early Victorian hall,
gained an instant impression of coolness in summer, of warmth in winter,
of cheerfulness and comfort at all times.
No one but Katty herself knew the trouble to which she had been to get
the exact pattern of calendered chintz which she had made up her mind to
obtain. Katty also kept to herself the amount which she had spent, out
of her small reserve, on the thoroughly good, comfortable easy-chairs,
of varying shape, height, and depth, which played such an important, if
unobtrusive, part in the comfort of her visitors.
Every chair in Katty's sitting-room was an easy chair, with the
exception of two gilt ones which were of their kind good, and which she
had bought at a sale. They, however, were never moved away from the
places where they stood, flanking a quaint, old-fashioned cabinet now
filled with some beautiful old china which had come to Katty from a
grandmother.
Yet another peculiarity of Katty's sitting-room was the absence of
pictures. Their place was taken by mirrors. Above the mantelpiece on
which stood six delicately charming Dresden china figures was a
looking-glass of curious octagonal shape, framed in rosewood. Opposite
the French window which opened into the garden was fixed a long, narrow
mirror with a finely carved gilt wood frame. This mirror gave an air of
distinction to the room which would otherwise have been lacking, and it
also enabled Katty to see at any moment how she was looking, whether her
burnished chestnut-brown hair was quite tidy, and her gown fresh-looking
and neat.
There had been a time in her life when Katty Winslow had been
passionately fond of beautiful clothes, and able to indulge her taste.
Now, all she could hope to attain was freshness and neatness. That she
achieved these was to her credit, for they too cost, if not money, then
a good deal of thought and time, on the part of their possessor.
* * * * *
Public-domain text, read in full here on John Shaqi.
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