Love and liberty : $b A thrilling narrative of the French Revolution of 1792Dumas, Alexandre
History
Love and liberty : $b A thrilling narrative of the French Revolution of 1792
Dumas, Alexandre
France -- History -- Revolution, 1789-1799 -- Fiction
She was borne into the church (the only one now open in all Paris)
upon a kind of litter, covered with oak branches, and followed by
girls dressed in white, singing jubilant songs. About the altar were
the opera choristers and others. The actress was now placed upon the
altar, and she was worshipped by those present. The Bishop had been
compelled to appear, and he sat motionless with fear, tears of shame
coursing down his face.
The burial places of the Kings were now invaded. The remains of a
thousand years of kings were torn from the vaults of St. Denis, and
cast into the country ditches. Nothing was spared—anything which
suggested royalty, was destroyed.
Meanwhile, Carrier, at Nantes, surpassed in outrage all that had gone
before him. It was charitable to suppose he was sheer mad.
Men, women, children, and especially priests, were shot down by
Carrier’s orders. He said trial was useless. His rivals had abandoned
the guillotine for the butchery of the soldier’s lead. Carrier
improved upon this. He said he hated blood, so he positively sank
hundreds, thousands of accused, in huge barges. They were carried
down to the bottom, and there to this day they remain.
Carrier was the deputy sent by the Convention, of which Robespierre
was now King.
These massacres lasted months. Some complaints were sent to Paris.
Carrier seized two hundred of the principal merchants of the place,
cast them into prison, tortured them, and then drowned the men.
At last, his madness becoming apparent, he was recalled. Robespierre
did not demand his punishment; and this omission of justice was one
of the accusations brought against Robespierre at _his_ trial.
A woman began the attack upon Robespierre. She was Rose Lacombe,
beautiful, eloquent, revolutionary; but pitying and hating blood. She
was seized with love for a young prisoner, tried to save him, failed,
and she devoted herself to Robespierre’s death.
Robespierre, to retain his popularity, determined to sacrifice
Danton, Camille Desmoulins, and others. They fell—all of them.
As these victims, on their way to execution, passed Duplay’s house,
the shutters of which were closed, the crowd burst into a roar of
applause. Robespierre watching, trembled.
A very short span, and his time was to come.
Herault de Sechelles was the first to alight from the cart. He turned
to embrace Danton, when the executioner pulled him away.
“Brute!” said Danton; “but you cannot prevent our lips touching in
the basket.”
Camille Desmoulins was the last but one of the four. He was quite
resigned. He looked at the knife, then turning to the people, he
said, “Look on at the end of the first apostle of liberty! He who
murders me will not survive me long!”
“Send this lock of hair to my mother,” he said to the executioner.
They were his last words.
Danton ascended last. He never looked more haughty and defiant. For
one moment he broke down. “Wife!” he screamed.
Public-domain text, read in full here on John Shaqi.
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