Small things betray men. Here is one. His signature was invariably in full: "Yours very truly, James Adolphus Macartney." It was as if he knew that Adolphus was rather comic opera, but wouldn't stoop to disguise it. Why bother? He crowded it upon the Bishop, upon the Dean and Chapter of Mells, upon old Lord Drake. He said, "Why conceal the fact that my sponsors made a _faux pas_? There it is, and have done with it. Such things have only to be faced to be seen as nothings. What! are we reasonable beings?" Now when Lucy Meade, practically a child for all her sedateness and serious eyes, married him, two things terrified her on the day. One was her husband and the other lest her friends should discover it. They never did, and in time her panic wore off. She fought it in the watches of the night and in the glare of her lonely days. Not a soul, not her mother, not even Mabel, knew her secret. James never became comic to her; she never saw him a figure of fun; but she was able to treat him as a human being. Lancelot's arrival made all the difference in the world to that matter as to all her other matters, for even Lucy herself could not help seeing how absurdly jealous James was of his offspring. For a time he was thrown clean out of the saddle and as near falling in his own esteem as ever in life. But he recovered his balance, and though he never regained his old ascendency, which had been that of a Ju-ju, he was able to feel himself, as he said, "Master in his own house," with a very real reserve of terrorism--if it should be wanted. The great thing, Macartney thought, was discipline, constant, watchful discipline. A man must bend everything to that. Women have to learn the virtue of giving up, as well as of giving. Giving is easy; any woman knows that; but giving up. Let that be seen as a subtle, a sublimated form of giving, and the lesson is learned. But practice makes perfect. You must never relax the rein. He never did. There was all the ingenuity and patience of a woman about him. By this time, after twelve years and more of marriage, they were very good friends; or, why not say, old acquaintances? There are two kinds of crystallisation in love affairs, with all respect to M. de Stendhal. One kind hardens the surfaces without any decorative effect. There are no facets visible, no angles to catch the light. In the case of the Macartney marriage I suspect this to have been the only kind--a kind of callosity, protective and numbing. The less they were thrown together, she found, the better friends they were. At home they were really no more than neighbours; abroad she was Mrs. Macartney, and never would dine out without him. She was old-fashioned; her friends called her a prude. But she was not at all unhappy. She liked to think of Lancelot, she said, and to be quiet. And really, as Miss Bacchus (a terrible old woman) once said, Lucy was so little of a married woman that she was perfectly innocent.