A remark of her mother’s—that her daughter
surely could not be meant to write novels, because the main questions
for her were “the questions of her own soul”—opened her eyes to the
truth that fiction could not be her vocation. But she was very far from
knowing what her life’s work was to be, and her dreams were of love and
motherhood, not of a career.
With Björnson she was throughout in friendly relationship. He had
recognised her fine abilities before she even began to write, and
she on her side was full of admiration for his genius, strength, and
goodness. The other world-famous writer of Scandinavia Ellen Key
learned to know through his work at the age of eighteen, when her
mother presented to her _Love’s Comedy_, _Brand_, and _Peer Gynt_;
this also was an influential event in her life. Among writers to whom
she was later attracted were Elizabeth B. Browning, George Eliot, John
Stuart Mill, Herbert Spencer, and John Ruskin.
At the age of twenty-three, Ellen Key began those constant excursions
to all the great centres of Europe, which may be said never since to
have ceased, at first in the company of her father, whose secretary,
confidant, and almost co-worker she had become, and she was thus
gradually led to writing for journals. A love of art seems to have been
a primary inspiration of these early journeys, for at this time Ellen
Key was fascinated by the art of painting as she has always been by
the greater art of living, and her wide knowledge of pictures has often
happily illuminated her later writings. After 1880, however, when her
father, as the result of an agricultural crisis, lost his property,
she was compelled, at the age of thirty, to choose a career and for a
time became a teacher in a girls’ school. She had always been attracted
to teaching and many years earlier, at the instigation of Björnson,
had studied the school system of Denmark. At a later period she gave
courses of lectures in literature, history, and æsthetics. For twenty
years she occupied the Chair of History of Civilisation in Sweden at
the Popular University of Stockholm.
Public-domain text, read in full here on John Shaqi.
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