We live in a period of spiritual reformation of immense importance
in the history of the world. Every human being who himself has soul
is being more and more penetrated by the sense of the mysterious
effects of elective affinities; of sympathetic and antipathetic
influences; of subconscious powers, above all in the erotic sphere.
Sensations of the erotically dæmonic are not new. But they were
formerly condemned to as great an extent as they are now recognised and
indeed sometimes assisted. It is this exquisite sensitiveness, these
vibrating nerves, these changing moods, this irritability of sensation
that the woman—like the man—of the present day has acquired as her
superiority, her gain through culture, her right of precedence before
any other generation. But this new wealth involves innumerable new
conflicts. The senses go their own way and are attracted where the soul
is estranged, or repelled although the heart is filled with tenderness.
Until the physiology and psychology of loathing are understood, we
shall not have gone far towards the solution of the erotic problem.
Every day—and night—these innumerable influences, conscious or
unconscious, are at work transforming the feelings of married people
and lovers. And although our time is becoming increasingly conscious of
this, it does not yet understand either how to counteract the dangerous
or encourage the favourable influence of the important trifles of
married life.
Only the foremost of women with a genius for love have arrived at that
degree of sensitiveness which makes it impossible for them to give or
receive anything in love without the feeling which one of Charlotte
Brontë’s women expresses in the words: _You fit me into the finest
fibre of my being._
Every developed modern woman wishes to be loved not _en mâle_ but _en
artiste_. Only a man whom she feels to possess an artist’s joy in her,
and who shows this joy in discreet and delicate contact with her soul
as with her body, can retain the love of the modern woman. She will
belong only to a man who longs for her always, even when he holds her
in his arms. And when such a woman exclaims: “You desire me, but you
cannot caress, you cannot listen ...” then that man is doomed.
Modern woman’s love differs from that of older times by, amongst other
things, the insatiability of its demand for completeness and perfection
in itself, and for corresponding completeness and perfection in the
feeling of the man.
Our soul is doubtless often deeper, but occasionally also shallower,
than our conscious existence and will. Therefore it may happen that the
new love in all its force exists in a woman who is unconscious of her
own erotic greatness, while, on the other hand, another, who desires
it with all her will, perhaps may lack the depth of feeling, the
instinctive sureness of choice.
Public-domain text, read in full here on John Shaqi.
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