Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
"I spoke in a vulgar, playful tone. If Kisotchka had laughed in
response I should have gone on in this style: 'You had better look
out, Kisotchka, or some officer or actor will be carrying you off!'
She would have dropped her eyes and said: 'As though anyone would
care to carry me off; there are plenty younger and better looking
. . . .' And I should have said: 'Nonsense, Kisotchka--I for one
should be delighted!' And so on in that style, and it would all
have gone swimmingly. But Kisotchka did not laugh in response; on
the contrary, she looked grave and sighed.
"'All you have been told is true,' she said. 'My cousin Sonya ran
away from her husband with an actor. Of course, it is wrong. . . .
Everyone ought to bear the lot that fate has laid on him, but I do
not condemn them or blame them. . . . Circumstances are sometimes
too strong for anyone!'
"'That is so, Kisotchka, but what circumstances can produce a
regular epidemic?'
"'It's very simple and easy to understand,' replied Kisotchka,
raising her eyebrows. 'There is absolutely nothing for us educated
girls and women to do with ourselves. Not everyone is able to go
to the University, to become a teacher, to live for ideas, in fact,
as men do. They have to be married. . . . And whom would you have
them marry? You boys leave the high-school and go away to the
University, never to return to your native town again, and you marry
in Petersburg or Moscow, while the girls remain. . . . To whom are
they to be married? Why, in the absence of decent cultured men,
goodness knows what sort of men they marry--stockbrokers and such
people of all kinds, who can do nothing but drink and get into rows
at the club. . . . A girl married like that, at random. . . . And
what is her life like afterwards? You can understand: a well-educated,
cultured woman is living with a stupid, boorish man; if she meets
a cultivated man, an officer, an actor, or a doctor--well, she
gets to love him, her life becomes unbearable to her, and she runs
away from her husband. And one can't condemn her!'
"'If that is so, Kisotchka, why get married?' I asked.
"'Yes, of course,' said Kisotchka with a sigh, 'but you know every
girl fancies that any husband is better than nothing. . . . Altogether
life is horrid here, Nikolay Anastasyevitch, very horrid! Life is
stifling for a girl and stifling when one is married. . . . Here
they laugh at Sonya for having run away from her husband, but if
they could see into her soul they would not laugh. . . .'"
Azorka began barking outside again. He growled angrily at some one,
then howled miserably and dashed with all his force against the
wall of the hut. . . . Ananyev's face was puckered with pity; he
broke off his story and went out. For two minutes he could be heard
outside comforting his dog. "Good dog! poor dog!"
"Our Nikolay Anastasyevitch is fond of talking," said Von Schtenberg,
laughing. "He is a good fellow," he added after a brief silence.
Public-domain text, read in full here on John Shaqi.
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