Chekhov, Anton Pavlovich, 1860-1904 -- Translations into English; Russia -- Social life and customs -- Fiction
This is the whole performance. Lizotchka laughs and claps her hands.
"Capital," she exclaims. "Wonderful. Do you know, Vassya, it's
awfully stupid of you not to take part in amateur theatricals! You
have a remarkable talent! You are much better than Sysunov. There
was an amateur called Sysunov who played with us in _It's My
Birthday_. A first-class comic talent, only fancy: a nose as thick
as a parsnip, green eyes, and he walks like a crane. . . . We all
roared; stay, I will show you how he walks."
Lizotchka springs out of bed and begins pacing about the floor,
barefooted and without her cap.
"A very good day to you!" she says in a bass, imitating a man's
voice. "Anything pretty? Anything new under the moon? Ha, ha, ha!"
she laughs.
"Ha, ha, ha!" Vassya seconds her. And the young pair, roaring with
laughter, forgetting the illness, chase one another about the room.
The race ends in Vassya's catching his wife by her nightgown and
eagerly showering kisses upon her. After one particularly passionate
embrace Lizotchka suddenly remembers that she is seriously ill. . . .
"What silliness!" she says, making a serious face and covering
herself with the quilt. "I suppose you have forgotten that I am
ill! Clever, I must say!"
"Sorry . . ." falters her husband in confusion.
"If my illness takes a bad turn it will be your fault. Not kind!
not good!"
Lizotchka closes her eyes and is silent. Her former languor and
expression of martyrdom return again, there is a sound of gentle
moans. Vassya changes the compress, and glad that his wife is at
home and not gadding off to her aunt's, sits meekly at her feet.
He does not sleep all night. At ten o'clock the doctor comes.
"Well, how are we feeling?" he asks as he takes her pulse. "Have
you slept?"
"Badly," Lizotchka's husband answers for her, "very badly."
The doctor walks away to the window and stares at a passing
chimney-sweep.
"Doctor, may I have coffee to-day?" asks Lizotchka.
"You may."
"And may I get up?"
"You might, perhaps, but . . . you had better lie in bed another
day."
"She is awfully depressed," Vassya whispers in his ear, "such gloomy
thoughts, such pessimism. I am dreadfully uneasy about her."
The doctor sits down to the little table, and rubbing his forehead,
prescribes bromide of potassium for Lizotchka, then makes his bow,
and promising to look in again in the evening, departs. Vassya does
not go to the office, but sits all day at his wife's feet.
At midday the admirers of her talent arrive in a crowd. They are
agitated and alarmed, they bring masses of flowers and French novels.
Lizotchka, in a snow-white cap and a light dressing jacket, lies
in bed with an enigmatic look, as though she did not believe in her
own recovery. The admirers of her talent see her husband, but readily
forgive his presence: they and he are united by one calamity at
that bedside!
Public-domain text, read in full here on John Shaqi.
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