Love in Idleness: A Bar Harbour TaleCrawford, F. Marion (Francis Marion)
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Love in Idleness: A Bar Harbour Tale
Crawford, F. Marion (Francis Marion)
Bar Harbor (Me.) -- Fiction; Love stories
"It's much more civilized than it was when I was here last," observed
Lawrence. "There are lots of people one knows."
"Much too civilized," answered the young girl. "I'm beginning to
hate it."
"I thought you liked society--"
"I? What made you think so?"
This sort of question is often extremely embarrassing. Lawrence
looked at her thoughtfully, and wished that he had not made his
innocent remark, since he was called upon to explain it.
"I don't know," he replied at last. "Somehow, I always associate you
with society, and dancing, and that sort of thing."
"Do you? It's very unjust."
"Well--it's not exactly a crime to like society, is it? Why are you
so angry?"
"I wish you wouldn't exaggerate! It does not follow that I'm angry
because you're not fair to me."
"I didn't mean to be unfair. How you take one up!"
"Really, Mr. Lawrence--I think it's you who are doing that!"
Miss Trehearne, having a stretch of clear road before her, gave her
pair their heads for a moment, and the light buckboard dashed briskly
up the gentle ascent. Lawrence was watching her, though she did not
look at him, and he thought he saw the colour deepen in her sunburnt
cheek, although her grey eyes were as cool as ever. She was
certainly not pretty, according to the probable average judgment of
younger men. Lawrence, himself, who was an artist, wondered what he
saw in her face to attract him, since he could not deny the
attraction, and could not attribute it altogether to expression nor
to the indirect effect of her character acting upon his imagination.
He did not like to believe, either, that the charm was fictitious,
and lay in a certain air of superior smartness, the result of good
taste and plenty of money. Anybody could wear serge, and a more or
less nautical hat and gloves, just in the fashionable degree of
looseness or tightness, as the case might be. Anybody who chose had
the right to turn up a veil over the brim of the aforesaid hat, and
anybody who did so stood a good chance of being sunburnt. Moreover,
as Lawrence well knew, there is a quality of healthy complexion which
tans to a golden brown, very becoming when the grey eyes have dark
lashes, but less so when, as in Fanny Trehearne's case, the lashes
and brows are much lighter than the hair--almost white, in fact. It
is not certain whether the majority of human noses turn up or down.
There was, however, no doubt but that Fanny's turned up. It was also
apparent that she had decidedly high cheek bones, a square jaw, and a
large mouth, with lips much too even and too little curved for
beauty. After all, her best points were perhaps her eyes, her
golden-brown complexion, and her crisp, reddish brown hair, which
twisted itself into sharp little curls wherever it was not long
enough to be smoothed. With a little more regularity of feature,
Fanny Trehearne might have been called a milkmaid beauty, so far as
her face was concerned. Fortunately for her, her looks were above or
Public-domain text, read in full here on John Shaqi.
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