Courtship -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction
THE man whom Mr. Bazalgette introduced so smoothly and off-hand to
Lucy Fountain exercised a terrible influence over her life, as you
will see by and by. This alone would make it proper to lay his
antecedents before the reader. But he has independent claims to this
notice, for he is a principal figure in my work. The history of this
remarkable man's fortune is a study. The progress of his mind is
another, and its past as well as its future are the very corner-stone
of that capacious story which I am now building brick by brick, after
my fashion where the theme is large. I invite my reader, therefore, to
resist the natural repugnance which delicate minds feel to the ring of
the precious metals, and for the sake of the coming story to accompany
me into AN OLD BANK.
The Hardies were goldsmiths in the seventeenth century; and when that
business split, and the deposit and bill-of-exchange business went one
way, and the plate and jewels another, they became bankers from father
to son. A peculiarity attended them; they never broke, nor even
cracked. Jew James Hardie conducted for many years a smooth,
unostentatious and lucrative business. It professed to be a bank of
deposit only, and not of discount. This was not strictly true. There
never was a bank in creation that did not discount under the rose,
when the paper represented commercial effects, and the indorsers were
customers and favorites. But Mr. Hardie's main business was in
deposits bearing no interest. It was of that nature known as “the
legitimate banking business,” a title not, I think, invented by the
customers, since it is a system destitute of that reciprocity which is
the soul of all just and legitimate commercial relations.
You shall lend me your money gratis, and I will lend it out at
interest: such is legitimate banking--in the opinion of bankers.
This system, whose decay we have seen, and whose death my young
readers are like to see, flourished under old Hardie, green--as the
public in whose pockets its roots were buried.
Public-domain text, read in full here on John Shaqi.
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