Courtship -- Fiction; England -- Social life and customs -- 19th century -- Fiction; Mate selection -- Fiction
“Oh, if it is Lucy. Well, good-by, ladies. I am obliged to go to
London at a moment's notice for a couple of days. You will have done
by when I come back, perhaps,” and off went Bazalgette whistling, but
not best pleased. He had told his wife more than once that the
drawing-rooms and dining-rooms of a house are the public rooms, and
the bedrooms the private ones.
Lucy colored with mortification. It was death to her to annoy anyone;
so her aunt had thrust her into a cruel position.
“Poor Mr. Bazalgette!” sighed she.
“Fiddle de dee. Let him go, and come back in a better temper--set
transparent; so then, backed by the violet, you know, they will
imitate dewdrops to the life.”
“Charming! Why not let Olivier do it for you, as poor Baldwin cannot?”
“Because Olivier works for the Claytons, and we should have that Emily
Clayton out as my double; and as we visit the same houses--”
“And as she is extremely pretty--aunt, what a generalissima you are!”
“Pretty! Snub-nosed little toad. No, she is not pretty. But she is
eighteen; so I can't afford to dress her. No. I see I shall have to
moderate my views for this gown, and buy another dress for the flowers
and diamonds. There, take it off, and let us think it calmly over. I
never act in a hurry but I am sorry for it afterward--I mean in things
of real importance.” The gown was taken off in silence, broken only by
occasional sighs from the sufferer, in whose heart a dozen projects
battled fiercely for the mastery, and worried and sore perplexed her,
and rent her inmost soul fiercely divers ways.
“Black lace, dear,” suggested Lucy, soothingly.
Mrs. B. curled her arm lovingly round Lucy's waist. “Just what I was
beginning to think,” said she, warmly. “And we can't both be mistaken,
can we? But where can I get enough?” and her countenance, that the
cheering coincidence had rendered seraphic, was once more clouded with
doubt.
“Why, you have yards of it.”
“Yes, but mine is all made up in some form or other, and it musses
one's things so to pick them to pieces.”
“So it does, dear,” replied Lucy, with gentle but genuine feeling.
“It would only be for one night, Lucy--I should not hurt it, love--you
would not like to fetch down your Brussels point scarf, and see how it
would look, would you? We need not cut the lace, dear; we could tack
it on again the next morning; you are not so particular as I am--you
look well in anything.”
Lucy was soon seated denuding herself and embellishing her aunt. The
latter reclined with grace, and furthered the work by smile and
gesture.
“You don't ask me about the skirmish in the nursery.”
“Their squabbles bore me, dear; but you can tell me who was the most
in fault, if you think it worth while.”
“Reginald, then, I am afraid; but it is not the poor boy; it is the
influence of the stable-yard; and I do advise and entreat you to keep
him out of it.”
Public-domain text, read in full here on John Shaqi.
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