Love Potions Through the Ages: A Study of Amatory Devices and Mores — John Shaqi
Love Potions Through the Ages: A Study of Amatory Devices and MoresWedeck, Harry E.
History
Love Potions Through the Ages: A Study of Amatory Devices and Mores
Wedeck, Harry E.
Aphrodisiacs -- History; Erotic literature
One of the earliest instances of multiple incest occurs in Book 10 of
Homer’s _Odyssey_, in which Odysseus describes his visit to Aeolus.
Aeolus has a family of six daughters and six sons, and he has given his
daughters in marriage to his own sons.
* * * * *
In Greece the Aphrodision, and in Rome the Venereum, were the private
bordellos that were not used by the general indiscriminate public.
* * * * *
Both in antiquity and in later ages the public baths, with both sexes in
nude contacts in the _balnea mixta_, were a direct amatory stimulant. As
further provocatives, there was, in particular cases, bathing in asses’
milk, in essences of myrtle and lavender, in rose water, in almond paste
and in honey water, and also in champagne.
* * * * *
In Greece, the phallus was so pervasive as a genesiac symbol in every
phase of daily life, that there were loaves baked in phallic form. These
loaves were known, for another erotic reason, as olisbokolices.
* * * * *
Drillopotae were glass vessels in phallic form. They were used, in
ancient Rome, as drinking cups: and thus were an added erotic reminder
at banquets and similar gatherings.
* * * * *
In Roman antiquity the color yellow was associated with prostitutes, and
was a symbol of their profession. Yellow still retained this
significance in the Central European countries in later ages. In Tsarist
Russia, the yellow ticket was the official prostitute’s occupational
token. Alexander Kuprin’s _Yama the Pit_ describes the situation in a
vivid and grim narrative.
* * * * *
Figurae Veneris is a Latin expression meaning _positions of Venus_. This
phrase refers to the range of sexual positions. The Greeks were familiar
with some seventy such permutations and manipulations. There were the
symplegma and the catena, which involved more than two partners, and the
dodekamechanon. Hesychius the Greek lexicographer, Philaenis, and, among
the Romans, the poet Martial mention these contortions. In the Middle
Ages, the licentious poet Pietro Aretino produced a poetic commentary on
the entire extent of erotic possibilities.
Among periapts and amulets that were credited with promoting erotic
activity were charms in the shape of an extended hand, a wild boar, the
head of a bull, astrological signs; magic formulas too, inscribed on
various objects; the crux ansata, and genitalia.
* * * * *
Public-domain text, read in full here on John Shaqi.
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