Love's labor wonSouthworth, Emma Dorothy Eliza Nevitte
General
Love's labor won
Southworth, Emma Dorothy Eliza Nevitte
Elopement -- Fiction; Washington (D.C.) -- Fiction
or nearly so, the wedded pair would enter a rowboat and let it drift
down the current, or guide it in and out among the scattering clusters
of inlets that diversified the coast, where Mr. Helmstedt took a deep
interest in pointing out to Marguerite vestiges of the former occupancy
or visitings of those fierce buccaneers of the bay isles, that made so
hideous the days and nights of the early settlers of Maryland, and from
whom scandal said Philip Helmstedt himself had descended. Returning
from these expeditions, they would pass the long, winter evenings as
they were passing this one when I present them again to the reader,
that is, in reading, work, or its semblance, conversation and music,
when Marguerite would awaken the sleeping spirit of her harp to
accompany her own rich, deep and soul-thrilling voice, in some sacred
aria of Handel, or love song of Mozart, or simple, touching ballad of
our own mother tongue. But Marguerite’s improvisations were over. Upon
this evening in question, Philip Helmstedt threw aside his book, and
after gazing long and earnestly at his bride, as though he would absorb
into his being the whole beautiful creature at his side, he said:
“Take your guitar, dear Marguerite, and give me some music--invest
yourself in music, it is your natural atmosphere,” and rising, he went
to a table and brought thence the instrument, a rare and priceless one,
imported from Spain, and laid it upon Marguerite’s lap. She received
it smilingly, and after tuning its chords, commenced and sung, in the
original, one of Camoens’ exquisite Portuguese romaunts. He thanked her
with a warm caress when she had finished, and, taking the guitar from
her hand, said:
“You never improvise now, my Corinne! You never have done so since our
union. Has inspiration fled?”
“I do not know--my gift of song was always an involuntary power--coming
suddenly, vanishing unexpectedly. No, I never improvise now--the reason
is, I think, that the soul never can set strongly in but one direction
at a time.”
“And that direction?”
She turned to him with a glance and a smile that fully answered his
question.
“I am too happy to improvise, Philip,” she said, dropping her beautiful
head on his bosom, as he passed his arm around her, bent down and
buried his face on the rich and fragrant tresses of her hair.
Public-domain text, read in full here on John Shaqi.
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