Comedy plays; Courts and courtiers -- Drama; Navarre (Kingdom) -- Drama; Princesses -- Drama
ARMADO.
I will hereupon confess I am in love; and as it is base for a soldier
to love, so am I in love with a base wench. If drawing my sword against
the humour of affection would deliver me from the reprobate thought of
it, I would take desire prisoner, and ransom him to any French courtier
for a new-devised curtsy. I think scorn to sigh; methinks I should
outswear Cupid. Comfort me, boy. What great men have been in love?
MOTH.
Hercules, master.
ARMADO.
Most sweet Hercules! More authority, dear boy, name more; and, sweet my
child, let them be men of good repute and carriage.
MOTH.
Samson, master. He was a man of good carriage, great carriage, for he
carried the town gates on his back like a porter, and he was in love.
ARMADO.
O well-knit Samson, strong-jointed Samson! I do excel thee in my rapier
as much as thou didst me in carrying gates. I am in love too. Who was
Samson’s love, my dear Moth?
MOTH.
A woman, master.
ARMADO.
Of what complexion?
MOTH.
Of all the four, or the three, or the two, or one of the four.
ARMADO.
Tell me precisely of what complexion.
MOTH.
Of the sea-water green, sir.
ARMADO.
Is that one of the four complexions?
MOTH.
As I have read, sir; and the best of them too.
ARMADO.
Green indeed is the colour of lovers. But to have a love of that
colour, methinks Samson had small reason for it. He surely affected her
for her wit.
MOTH.
It was so, sir, for she had a green wit.
ARMADO.
My love is most immaculate white and red.
MOTH.
Most maculate thoughts, master, are masked under such colours.
ARMADO.
Define, define, well-educated infant.
MOTH.
My father’s wit and my mother’s tongue assist me!
ARMADO.
Sweet invocation of a child, most pretty, and pathetical!
MOTH.
If she be made of white and red,
Her faults will ne’er be known;
For blushing cheeks by faults are bred,
And fears by pale white shown.
Then if she fear, or be to blame,
By this you shall not know,
For still her cheeks possess the same
Which native she doth owe.
A dangerous rhyme, master, against the reason of white and red.
ARMADO.
Is there not a ballad, boy, of the King and the Beggar?
MOTH.
The world was very guilty of such a ballad some three ages since, but I
think now ’tis not to be found; or if it were, it would neither serve
for the writing nor the tune.
ARMADO.
I will have that subject newly writ o’er, that I may example my
digression by some mighty precedent. Boy, I do love that country girl
that I took in the park with the rational hind Costard. She deserves
well.
MOTH.
[_Aside_.] To be whipped: and yet a better love than my master.
ARMADO.
Sing, boy. My spirit grows heavy in love.
MOTH.
And that’s great marvel, loving a light wench.
ARMADO.
I say, sing.
MOTH.
Forbear till this company be past.
Enter Costard the Clown, Dull the Constable and Jaquenetta a Wench.
Public-domain text, read in full here on John Shaqi.
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