O well-knit Samson! strong-jointed Samson! I do excel thee in my rapier as much as thou didst me in carrying gates. I am in love too. Who was Samson's love, my dear Moth? MOTH. A woman, master. ARMADO. Of what complexion? MOTH. Of all the four, or the three, or the two, or one of the four. ARMADO. Tell me precisely of what complexion. MOTH. Of the sea-water green, sir. ARMADO. Is that one of the four complexions? MOTH. As I have read, sir; and the best of them too. ARMADO. Green, indeed, is the colour of lovers; but to have a love of that colour, methinks Samson had small reason for it. He surely affected her for her wit. MOTH. It was so, sir; for she had a green wit. ARMADO. My love is most immaculate white and red. MOTH. Most maculate thoughts, master, are mask'd under such colours. ARMADO. Define, define, well-educated infant. MOTH. My father's wit my mother's tongue assist me! ARMADO. Sweet invocation of a child; most pretty, and pathetical! MOTH. If she be made of white and red, Her faults will ne'er be known; For blushing cheeks by faults are bred, And fears by pale white shown. Then if she fear, or be to blame, By this you shall not know; For still her cheeks possess the same Which native she doth owe. A dangerous rhyme, master, against the reason of white and red. ARMADO. Is there not a ballad, boy, of the King and the Beggar? MOTH. The world was very guilty of such a ballad some three ages since; but I think now 'tis not to be found; or if it were, it would neither serve for the writing nor the tune. ARMADO. I will have that subject newly writ o'er, that I may example my digression by some mighty precedent. Boy, I do love that country girl that I took in the park with the rational hind Costard; she deserves well. MOTH. [Aside] To be whipt; and yet a better love than my master. ARMADO. Sing, boy; my spirit grows heavy in love. MOTH. And that's great marvel, loving a light wench. ARMADO. I say, sing. MOTH. Forbear till this company be past. Enter DULL, COSTARD, and JAQUENETTA