In later years he looked back upon it all--knowing then the depth of the
pit into which he had fallen, knowing the full power of the forces
that were ranged against him--and he marvelled that he had ever had the
courage to hold out. But in truth the idea of surrender did not occur
to him; the possibility of it did not lie in his character. He had
his message to deliver. That was what he was in the world for, and for
nothing else; and he must deliver what he could of it.
He would go alone, and his vision would come to him. It would come to
him, radiant, marvellous, overwhelming; there had never been anything
like it in the world, there might never be anything like it in the world
again. And if only he could get the world to realize it--if only he
could force some hint of it into the mind of one living person! It
was impossible not to think that some day that person would be
discovered--to believe otherwise would be to give the whole world up for
damned. He would imagine that chance person reading his first book; he
would imagine the publishers and their advisers reading “The Hearer of
Truth”--might it not be that at this very hour some living soul was in
the act of finding him out? At any rate, all that he could do was to
try, and to keep on trying; to embody his vision in just as many forms
as possible, and to scatter them just as widely as possible. It was like
shooting arrows into the air; but he would go on to shoot while there
was one arrow left in his quiver.
Section 3. Thyrsis reasoned the problem out for himself; he saw what he
wanted, and that it was a rational and honest thing for him to want.
He was a creative artist, engaged in learning his trade. When he had
completed his training, he would not work for himself, he would work to
bring joy and faith to millions of human beings, perhaps for ages after.
And meantime, while he was in the practice-stage, he asked for the bare
necessities of existence.
Nor was it as if he were an utter tyro; he had given proof of his power.
He had written two books, which some of the best critics in the country
had praised. To this people made answer that it was no one’s business
to look out for genius and give it a chance to live. But with Thyrsis it
was never any argument to show that a thing did not exist, if it was a
thing which he knew _ought_ to exist. He looked back over the history of
art, and saw the old hideous state of affairs--saw genius perishing
of starvation and misery, and men erecting monuments to it when it
was dead. He saw empty-headed rich people paying fortunes for the
manuscripts of poems which all the world had once rejected; he saw the
seven towns contending for Homer dead, through which the living Homer
begged his bread. And Thyrsis could not bring himself to believe that a
thing so monstrous could continue to exist forever.
Public-domain text, read in full here on John Shaqi.
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