There was no other department of human activity of which it was true.
If a man wanted to be a preacher, he would find that people had set
up divinity-schools and established scholarships for which he could
contend. And the same was true if he wished to be an engineer, or an
architect, or a historian, or a biologist; it was only the creative
artist of whom no one had a thought--the creative artist, who needed it
most of all! For his was the most exacting work, his was the longest and
severest apprenticeship.
Brooding over this, Thyrsis hit upon another plan. He drew up a letter,
in which he set forth what he wanted, and stated what he had so far
done; he quoted the opinions of his work that had been written by
men-of-letters, and offered to submit the books and manuscripts about
which these opinions had been written. He sent a copy of this letter
to the president of each of the leading universities in the country,
to find out if there was in a single one of them any fellowship or
scholarship or prize of any sort, which could be won by such creative
literary work. Of those who replied to him, many admitted that his point
was well taken, that there should have been such provision; but one and
all they agreed that none existed. There were rewards for studying the
work of the past, but never for producing new work, no matter how good
it might be.
Then another plan occurred to him. He wrote an anonymous article,
setting forth some of his amusing experiences, and contrasting the
credit side of the “pot-boiling” ledger with the debit side of the “real
art” ledger. This article was picturesque, and a magazine published it,
paying twenty-five dollars for it, and so giving him another month’s
lease of life. But that was all that came of it--there was no rich man
who wrote to the magazine to ask who this tormented genius might be.
Then Thyrsis, in his desperation, joined the ranks of the begging
letter-writers. He would send long accounts of his plight to eminent
philanthropists--having no idea that the secretaries of eminent
philanthropists throw out basketsful of such letters every day. He would
read in the papers of some public-spirited enterprise--he would hear of
this man or that woman who was famous for his or her interest in
helpful things--and he would sit down and write these people that he
was starving, and implore them to read his book. In later years, when he
came to know of some of these newspaper idols, it was a comfort to him
to feel certain that his letters had been thrown away unread.
Public-domain text, read in full here on John Shaqi.
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