All of which things made a subtle change in his attitude to Corydon,
whom he still met occasionally. Corydon was now a young lady, beautiful,
even stately, with an indescribable atmosphere of gentleness and purity
about her. All things unclean shrunk from her presence; and so in times
of distress he liked to be with her. He would drop vague hints as
to sufferings and temptations, and told her that she seemed like a
“goddess” to him.
Corydon received this with some awe, but with more perplexity. She could
not understand why anyone should struggle so much, or why a youth should
take such a sombre view of things. But she was perfectly willing to seem
like a “goddess” to anyone, and she was glad if that helped him. She was
touched when he read her a poem of his own, a poem which he held very
precious. He called it
“A song of the young-eyed Cherubim
In the days of the making of man.”
And in it he had set forth the view of life that had come to him--
“The quest of the spirit’s gain--
Lured by the graces of pleasure,
And lashed by the furies of pain.
Thy weakness shall sigh for an Eden,
But the sword shall flame at the gate;
For far is the home of thy vision
And strong is the hand of thy fate!”
Section 13. Though Thyrsis had no time to realize it, it was in this
long and bitter struggle that he won whatever power he had in his future
life. It was here that he learned “to hold his will above him as his
law”, and to defy the world for the sake of his ideal. And then, too,
this toil was the key that opened to him the treasure-house of a new
art--which was music.
Until he was nearly out of college Thyrsis had scarcely heard any music
at all. Church-hymns he had learned, and a few songs in school. But now
in poetry and other books he met with references to composers, and to
the meaning of great music; and the things that were described there
were the things he loved, and he began to feel a great eagerness to get
at them. As a first step he bought a mandolin, and set to work to teach
himself to play, a task at which he wrought with great diligence. At the
same time a friend had bought a guitar, and the two set to work to play
duets. The first preliminary was the getting of the instruments in tune;
and not knowing that the mandolin is an octave higher than the guitar,
they spent a great deal of time and broke a great many guitar-strings.
As the next step, Thyrsis went to hear a great pianist, and sat
perplexed and wondering. There was a girl next to him who sobbed, and
Thyrsis watched her as he might have watched a house on fire. Only once
the pianist pleased _him_--when he played a pretty little piece called
somebody’s “impromptu”, in which he got a gleam of a “tune.” Poor
Thyrsis went and got that piece, and took it home to study it, with the
help of the mandolin; but, alas, in the maze of notes he could not even
find the “tune.”
Public-domain text, read in full here on John Shaqi.
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