Most women liked Thyrsis, because they divined in some vague way this
attitude; and some men hated him for the same reason. These men, Thyrsis
observed, were the slave-drivers; they held that woman was the weaker
vessel, and for this they had their own motives. There were women,
too, who liked to be ruled; but Thyrsis never argued with them--it was
enough, he judged, to treat any slave as a free man, or any servant as a
gentleman, and sooner or later they would divine what he meant, and the
spirit of revolt would begin to flicker.
BOOK XIII
THE MASTERS OF THE SNARE
_They stood upon the porch of the little cabin, listening to the silence
of the night.
“How far away it all seems!” she said--
“How many a dingle on the loved hill-side
Hath since our day put by
The coronals of that forgotten time!”
“It makes one feel old,” he said--“like the coming of the night!”
“The night!” she repeated, and went on--
“I feel her finger light
Laid pausefully upon life’s headlong train;--
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope once crush’d less quick to spring again!”_
Section 1. Throughout this long winter of discontent came to them one
ray of hope from the outside world. “The Genius” was given in the
little town in Germany, and Thyrsis’ correspondent sent the twenty-five
dollars, and wrote that it had made a great impression, and that more
performances were to be expected. Then, after an interval, Thyrsis was
surprised to receive from his clipping-bureau some items to the effect
that his play was to be produced in one of the leading theatres in
Berlin. He wrote to his correspondent for an explanation, and learned
to his dismay that his play had been “pirated”; it was, of course, not
copyright in Germany, and so he had no redress, and must content himself
with what his friend referred to as “the renowns which will be brought
to you by these performances”.
The play came out, in the early spring, and apparently made a
considerable sensation. Thyrsis read long reviews from the German
papers, and there were accounts of it in several American papers. So
people began to ask who this unknown poet might be. The publishers of
“The Hearer of Truth” were moved to venture new advertisements of the
book--whereby they sold perhaps a hundred copies more; and Thyrsis was
moved to pay some badly--needed money to have more copies of the play
made, so that he might try to interest some other manager. He carried
on a long correspondence with a newly-organized “stage society”,
which thought a great deal about trying the play at a matinée, but did
nothing.
Public-domain text, read in full here on John Shaqi.
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