Jane Brown gave the ward a little talk that night before the night
nurse reported. She stood in the centre of the long room, beside the
tulips, and said that she was going to be alone there, and that she
would have to put the situation up to their sense of honour. If they
tried to escape, they would hurt her. Also they would surely be
caught and brought back. And, because she believed in a combination
of faith and deeds, she took three nails and the linen-room
flatiron, and nailed shut the window onto the fire-escape.
After that, she brushed crumbs out of the beds with a whiskbroom and
rubbed a few backs with alcohol, and smoothed the counterpanes, and
hung over Johnny's unconscious figure for a little while, giving
motherly pats to his flat pillow and worrying considerably because
there was so little about him to remind her of the Johnny she knew
at home.
After that she sat down and made up her records for the night nurse.
The ward understood, and was perfectly good, trying hard not to muss
its pillows or wrinkle the covers. And struggling, too, with a new
idea. They were prisoners. No more release cards would brighten the
days. For an indefinite period the old Frenchman would moan at
night, and Bader the German would snore, and the Chinaman would
cough. Indefinitely they would eat soft-boiled eggs and rice and
beef-tea and cornstarch.
The ward felt extremely low in its mind.
* * * * *
That night the Senior Surgical Interne went in to play cribbage with
Twenty-two, and received a lecture on leaving a young girl alone in
H with a lot of desperate men. They both grew rather heated over the
discussion and forgot to play cribbage at all. Twenty-two lay awake
half the night, because he had seen clearly that the Senior Surgical
Interne was interested in Jane Brown also, and would probably loaf
around H most of the time since there would be no new cases now. It
was a crowning humiliation to have the night nurse apply to the
Senior Surgical Interne for a sleeping powder for him!
Toward morning he remembered that he had promised to write out from
memory one of the Sonnets from the Portuguese for the First
Assistant, and he turned on the light and jotted down two lines of
it. He wrote:
"_For we two look two ways, and cannot shine
With the same sunlight on our brow and hair._"--
And then sat up in bed for half an hour looking at it because he was
so awfully afraid it was true of Jane Brown and himself. Not, of
course, that he wanted to shine at all. It was the looking two ways
that hurt.
Public-domain text, read in full here on John Shaqi.
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