Loveday's history : $b A tale of many changesGuernsey, Lucy Ellen
History
Loveday's history : $b A tale of many changes
Guernsey, Lucy Ellen
Great Britain -- History -- Tudors, 1485-1603 -- Fiction; Historical fiction; Reformation -- Fiction
Toward night, however, the scene outside became so gay and animated
that I almost forgot my grievances in watching it. As I have said, my
uncle's house was built with the upper stories overhanging, and my room
had besides a projecting window, so I could see up and down the street
for a long way. All the houses had been adorned with garlands of sweet
herbs and flowers, and branches of lights which were now being kindled
and made a fine show. Before every house of any consequence was set a
table with store of meat and drink, which was free to all comers. My
uncle's great chair was placed on the pavement, and Sambo stood behind
it dressed in his gayest suit. The maids, all in their best, were
gathered at an upper window to see the show, and Betty had put herself
particularly forward.
But now came the sound of music and the tramp of horses, and every
body was on the alert. Presently I saw the head of the procession
coming round the corner. First came sundry pageants, morris dancers
with bells, and so forth; then men in bright armor, each one with an
attendant bearing a light upon a pole. Then came the Mayor and his
attendants, on foot and on horseback, all with scarlet jerkins trimmed
with gold lace, and posies at their breasts. I knew one of the footmen
was Betty's bachelor, and had seen him more than once. As he came
abreast of the house, he looked up, and there, fastened in his jerkin,
were the missing flowers.
Somebody else had seen them too. As the man saw his mistress looking
at him, he put his hand to his cap to salute her, and in so doing,
he brushed the flowers from his breast. Before he had time to miss
them, Sambo sprang upon them like a black cat upon a mouse, put them
in his bosom, and returned to his place, before any one but myself,
and I think Betty, saw what he had done. She uttered some sort of
exclamation, and retired from the window, and though she presently
returned, I don't think she greatly enjoyed the rest of the show,
gorgeous as it was.
The procession passed with all its lights and music, its images of
giants, and all the rest of the show, and disappeared in the distance.
The tables were carried in, the lights extinguished, and I went to bed,
feeling greatly comforted by the thought that my innocence was like to
be established.
The next morning my dinner was brought me as usual, and it was not
till noon that my aunt came and led me down to the parlor. There sat
my uncle in his great chair, the withered red flowers on the table
before him. Teddy Stillman, Betty's sweetheart—a decent looking
whitesmith—stood near, twirling his flat cap in his hands, his honest
face cast down with a look of grief and shame. Sambo stood behind his
master's chair, like a statue done in ebony, and Betty was crying in a
corner. My uncle held out his hand to me and bade me approach.
"Do you see these flowers, niece?"
"Yes, uncle," I answered.
"Do you know where they were found?"
"Yes, uncle."
Public-domain text, read in full here on John Shaqi.
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