And another thing puzzled Audrey: Michael was certainly quieter than he used to be; when they were alone--which was a rare occurrence now--he seemed to have so little to say to her. Sometimes he would take up his book and read out a few passages, but if she begged him to put it down and talk to her instead, he would dispute the point in the most tiresome fashion. 'I think people talk too much, nowadays,' he would say in his lazy way; 'it is all lip-service now. If women would only cultivate their minds a little more, and learn to hold their tongues until they have something worth saying, the world would not be flooded with all this muddy small-talk. Now, for example, if you would allow me to read you this fine passage from Emerson.' But if Audrey would allow nothing of the kind, and if, on the contrary, she manifested an obstinate determination to talk, he would argue with her in the same playful fashion; but she could never draw him into one of their old confidential talks. But when they were all together of an evening, Michael would be more like his old self. He would sit beside the piano when she sang, and turn over the leaves for her, or he would coax her to be his partner in a game of whist, and lecture her in his old fashion; but all the time he would be looking at her so kindly that his lectures never troubled her in the least. But when Cyril spent the evening at Woodcote, which was generally once or twice a week, Michael never seemed to think that they wanted him: he would bury himself in his book or paper, or challenge Dr. Ross to a game of chess. He never took any notice of Audrey's appealing looks, and her kindly attempts to draw him into conversation with her and Cyril were all disregarded. Audrey bore this for some time, and then she made up her mind that she must speak to him. She was a little shy of approaching the subject--Michael never seemed to give her any opening now--but she felt she must have it out with him. One evening, when she and Cyril had exchanged their parting words in the hall, she went back to the drawing-room and found Michael standing alone before the fire. She went up to him at once, but as he turned to her she was struck with his air of weariness and depression. 'Oh, Michael, how tired you look!' she observed, laying her hand on his arm. 'Have you neuralgia again?' And as he shook his head, she continued anxiously: 'Are you sure you are quite well--that nothing is troubling you? You have been so very quiet this evening. Michael'--and here she blushed a little--'I want to say something to you, and yet I hardly know how to put it--it is just like your thoughtfulness--but, indeed, there is no need: you are never in the way.' 'Is this an enigma? If so, I may as well tell you I give it up at once. I never could guess conundrums;' and Michael twirled his moustache in a most provoking way; but, all the same, he perfectly understood her. 'I give it up,' he repeated. Audrey pretended to frown.