Lovers' Saint Ruth's, and Three Other TalesGuiney, Louise Imogen
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Lovers' Saint Ruth's, and Three Other Tales
Guiney, Louise Imogen
American fiction -- 19th century; Short stories, American
musty parchments, he did not know but what I had best have this one,
especially as his wife and niece, having glanced at it, would not give
it house-room! So I had the keepership of that mournful secret of the
Lord Richard's wonderful love and patience, which came near altering
the local annals I was to write. It was like the unburied dead; it
tormented me. Not one of those vulgarians to whom it really belonged
was fit to touch it, much less understand it; and I did not wish to add
it to any collection, mine or another's. I hesitated a good bit, and
then I stole off, on a chilly Martinmas eve, and piously burned it here
in Lovers' Saint Ruth's, on this tomb, and scattered the ashes into the
grass." A gust of wind came into the choir, and the clock half a mile
away struck one. At the sound, we reached for our hats, which we had
instinctively laid aside, and crossed the little transept to the door,
Nasmith first, I following, as we had entered. Once more, as we left
the porch, dark with ivy and weather-stains, we heard the wood-doves,
over our heads in the nave, utter a slow musical moan, one to the
other. "Their souls," I whispered suddenly. "Peace to all such, after
pain," said poetic Cyril. "_Amen_," I answered. We both smiled. How we
two were enjoying our renewed society, back in a bygone England!
Hardly had we gained the road, when a carriage rolled by, with a
single figure on horseback clattering alongside. A black-bonneted
girl in mourning, handsome, if furtive, under her parasol, and both
her companions, the younger of whom sat beside her, saluted Nasmith
in what I thought to be a cold, perfunctory manner. I guessed
something, for his honest cheek flushed. "I fear these are the great
folk of Orrinleigh," I remarked. "The men have selfish, stupid faces,
more's the pity." "Yes," he replied; "you have seen some of the Lord
Richard's degenerate descendants. I once meant to give his manuscript
to Audrey--to the young lady in the carriage. I hoped she might value
it. But, as I said, I destroyed it instead. You are the only person to
whom I ever repeated the tale, and almost in the original words. Go put
it in a book, if you like, Holden; make what you can of it; develop
and proportion it; I trust your handling." I thanked him. "No. Your
chivalrous Cavalier is too complex a subject for me," was my frank
reply; "I feel safer with a history than with a mystery." I was a
hardened republican novelist even then, and his senior, and not blind
to the "human document," neither of the seventeenth century, nor of the
nineteenth. "Nasmith," I began cunningly, "you were in love with the
Honorable Audrey, and she refused you. How fortunate for you! Yours was
the neatest and most spiritual revenge I ever heard of: to keep from
her what might have helped transform her woman's nature, stifled in an
ill atmosphere,--the knowledge that she was of the blood of the saints,
'Tho' fallen on evil days,
On evil days tho' fallen, and evil tongues.'"
Public-domain text, read in full here on John Shaqi.
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