In the original edition of the two parts of LUCASTA, 1649-59, the arrangement of the poems appears, like that of the text, to have been left to chance, and the result has been a total absence of method. I have therefore felt it part of my duty to systematise the contents of the volume, and, so far as it lay in my power, to place the various pieces of which it consisted in their proper order; all the odes, sonnets, &c. addressed or referring to the lady who is concealed under the names of LUCASTA and AMARANTHA have now been, for the first time, brought together; and the copies of commendatory and gratulatory verses, with one exception prefixed by Lovelace to various publications by friends during his life-time, either prior to the appearance of the first part of his own poems in 1649, or between that date and the issue of his Remains ten years later, have been placed by themselves, as an act of justice to the writer, of whose style and genius they are, as is generally the case with all compositions of the kind, by no means favourable specimens. The translations from Catullus, Ausonius, &c. have been left as they stood; they are, for the most part, destitute of merit; but as they were inserted by the Poet's brother, when he edited the posthumous volume, I did not think it right to disturb them, and they have been retained in their full integrity. Lovelace's LUCASTA was included by the late S. W. Singer, Esq., in his series of "Early English Poets;" but that gentleman, besides striking out certain passages, which he, somewhat unaccountably and inconsistently, regarded as indelicate, omitted a good deal of preliminary matter in the form of commendatory verses which, though possibly of small worth, were necessary to render the book complete; it is possible, that Mr. Singer made use of a copy of LUCASTA which was deficient at the commencement. It may not be generally known that, independently of its imperfections in other respects, Mr. Singer's reprint abounds with the grossest blunders. The old orthography has been preserved intact in this edition; but with respect to the employment of capitals, the entirely arbitrary manner in which they are introduced into the book as originally published, has made it necessary to reduce them, as well as the singularly capricious punctuation, to modern rules. At the same time, in those cases where capitals seemed more characteristic or appropriate, they have been retained. It is a singular circumstance, that Mr. Singer (in common with Wood, Bliss, Ellis, Headley, and all other biographers,) overlooked the misprint of ARAMANTHA for AMARANTHA, which the old compositor made, with one or two exceptions, wherever the word occurred. In giving a correct representation of the original title-page, I have been obliged to print ARAMANTHA.