Satire, Greek -- Translations into English; Voyages, Imaginary -- Early works to 1800
And thus we arrive at Lucian's weakness. In spite of its brilliance
and flippancy, his scepticism is at times over-intelligent. His good
sense baffles you by its infallibility; his sanity is so magnificently
beyond question, that you pray for an interlude of unreason. The
sprightliness of his wit, the alertness of his fancy, mitigate the
perpetual rightness of his judgment. But it must be confessed that for
all his delicate sense of ridicule he cherished a misguided admiration
of the truth. If only he had understood the joy of self-deception,
if only he had realized more often (as he realized in _The Ass_) the
delight of throwing probability to the winds, we had regarded him with
a more constant affection. His capital defect sprang from a lack of the
full-blooded humour which should at times have led him into error. And
yet by an irony it was this very love of truth which suggested _The
True History_, that enduring masterpiece of phantasy. Setting out to
prove his hatred of other men's lies, he shows himself on the road the
greatest liar of them all. "The father and founder of all this foolery
was Homer's Ulysses": thus he writes in his Preface, confessing that in
a spirit of emulation he "turned his style to publish untruths," but
with an honester mind, "for this one thing I confidently pronounce for
a truth, that I lie." Such is the spirit of the work, nor is there the
smallest doubt that Lucian, once embarked upon his voyage, slipped from
his ideal, to enjoy the lying for its own sake. If _The True History_
fails as a parody, that is because we care not a jot for Ctesias,
Iambulus and the rest, at whom the satire is levelled. Its fascination,
in fact, is due to those same qualities which, in others, its author
affected to despise. The facile variety of its invention can scarce
be matched in literature, and the lies are told with so delightful
an unconcern, that belief is never difficult. Nor does the narrative
ever flag. It ends at the same high level of falsehood in which it
has its beginning. And the credibility is increased by the harmonious
consistency of each separate lie. At the outset the traveller discovers
a river of wine, and forthwith travels up stream to find the source,
and "when we were come to the head" (to quote Hickes's translation),
"no spring at all appeared, but mighty vine trees of infinite number,
which from their roots distilled pure wine, which made the river run
so abundantly." So conclusive is the explanation, that you only would
have wondered had the stream been of water. And how admirable is the
added touch that he who ate fish from the river was made drunk! Then
by a pleasant gradation you are carried on from the Hippogypians, or
the Riders of Vultures, every feather in whose wing is bigger and
longer than the mast of a tall ship, from the fleas as big as twelve
elephants, to those spiders, of mighty bigness, every one of which
exceeded in size an isle of the Cyclades. "These were appointed to
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