At twelve o’clock on the night that witnessed the production of the
tragedy, Lucian found himself one of a group of six men which had
gathered together in Harcourt’s dressing-room. There was a blue haze of
cigarette smoke all over the room; a decanter of whisky with syphons and
glasses stood on a table in the centre; most of the men had already
helped themselves to a drink. Lucian found a glass in his own hand, and
sipped the mixture in it he recognised the taste of soda, and remembered
in a vague fashion that he much preferred Apollinaris, but he said to
himself, or something said to him, that it didn’t matter. His brain was
whirling with the events of the night; he still saw, as in a dream, the
misty auditorium as he had seen it from a box; the stage as he had seen
it during a momentary excursion to the back of the dress-circle; the
busy world behind the scenes where stage-carpenters sweated and swore,
and the dust made one’s throat tickle. He recalled particular faces and
heard particular voices; all the world and his wife had been there, and
all the first-nighters, and all his friends, and he had spoken to a
great many people. They all seemed to swim before him as in a dream, and
the sound of their voices came, as it were, from the cylinder of a
phonograph. He remembered seeing Mr. Chilverstone and his wife in the
stalls--their faces were rapt and eloquent; in the stalls, too, he had
seen Sprats and Lord Saxonstowe and Mrs. Berenson; he himself had spent
some of the time with Haidee and Darlington and other people of their
set in a box, but he had also wandered in and out of Harcourt’s
dressing-room a good deal, and had sometimes spoken to Harcourt, and
sometimes to his business manager. He had a vague recollection that he
had faced the house himself at the end of everything, and had bowed
several times in response to cheering which was still buzzing in his
ears. The night was over.
Public-domain text, read in full here on John Shaqi.
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