He took another drink from the glass in his hand and looked about him;
there was a curious feeling in his brain that he himself was not there,
that he had gone away, or been left behind somewhere in the world’s mad
rush, and that he was something else, watching a semblance of himself
and the semblance’s surroundings. The scene interested and amused
whatever it was that was looking on from his brain. Harcourt, free of
his Greek draperies, now appeared in a shirt and trousers; he stood
before the mirror on his dressing-table, brushing his hair--Lucian
wondered where he bought his braces, which, looked at closely, revealed
a peculiarly dainty pattern worked by hand. All the time that he was
manipulating the brushes he was talking in disconnected sentences.
Lucian caught some of them: ‘Little cutting here and there--that bit
dragged--I’m told that _was_ a fine effect--very favourable indeed--we
shall see, we shall see!’--and he wondered what Harcourt was talking
about. Near the actor-manager, in an easy-chair, sat an old gentleman of
benevolent aspect, white-bearded, white-moustached, who wore a fur-lined
cloak over his evening-dress. He was sucking at a cigar, and his hand,
very fat and very white, held a glass at which he kept looking from time
to time as if he were not quite certain what to do with it. He was
reported to be at the back of Harcourt in financial matters, and he
blinked and nodded at every sentence rapidly spoken by the
actor-manager, but said nothing. Near him stood two men in cloaks and
opera-hats, also holding glasses in their hands and smoking
cigarettes--one of them Lucian recognised as a great critic, the other
as a famous actor. At his own side, talking very rapidly, was the sixth
man, Harcourt’s business-manager. Lucian suddenly realised that he was
nodding his head at this man as if in intelligent comprehension of what
he was saying, whereas he had not understood one word. He shook himself
together as a man does who throws drowsiness aside.
‘I’m sorry,’ he said. ‘I--I don’t think I was paying attention. I don’t
know why, but I feel half-asleep.’
‘It’s the reaction,’ said Harcourt, hastily getting into his waistcoat
and coat. ‘I feel tired out--if I had my way there should be no such
thing as a first night--it’s a most wearing occasion.’
The famous critic turned with a smile.
‘Think of being able to lie in bed to-morrow with a sheaf of newspapers
on your counterpane!’ he said pleasantly.
Then somehow, chatting disjointedly, they got out of the theatre.
Harcourt and Lucian drove off in a hansom together--they were near
neighbours.
‘What do you think?’ asked Lucian, as they drove away.
Public-domain text, read in full here on John Shaqi.
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