‘I wonder what the boy had better have, Judith?’ she said, looking at
her sister. ‘He’s sure to have had a good tea at the Grange--Sarah
Trippett would see to that--but he’ll be cold. Some hot milk, I should
think. Bring some new milk in the brass pan, Anne, and another
glass--I’ll heat it myself over this fire.’
Then, without waiting to hear whether Miss Judith approved the notion of
hot milk or not, she sat down to her knitting again, and when the maid
had brought the brass pan and the glass and withdrawn, the parlour
became hushed and silent. It was an old-world room--there was not an
article of furniture in it that was less than a hundred years old, and
the old silver and old china arranged in the cabinets and on the
side-tables were as antiquated as the chairs, the old bureau, and the
pictures. Everything was old, good, and substantial; everything smelled
of a bygone age and of dried rose-leaves.
The two sisters, facing each other across the hearth, were in thorough
keeping with the old-world atmosphere of their parlour. Miss Keziah
Pepperdine, senior member of the family, and by no means afraid of
admitting that she had attained her fiftieth year, was tall and
well-built; a fine figure of a woman, with a handsome face, jet-black
hair, and eyes of a decided keenness. There was character and decision
in her every movement; in her sharp, incisive speech; in her quick
glance; and in the nervous, resolute click of her knitting needles. As
she knitted, she kept her lips pursed tightly together and her eyes
fixed upon her work: it needed little observation to make sure that
whatever Miss Pepperdine did would be done with resolution and
thoroughness. She was a woman to be respected rather than loved; feared
more than honoured; and there was a flash in her hawk’s eyes, and a
grimness about her mouth, which indicated a temper that could strike
with force and purpose. Further indications of her character were seen
in her attire, which was severely simple--a gown of black, unrelieved by
any speck of white, hanging in prim, straight folds, and utterly
unadorned, but, to a knowing eye, fashioned of most excellent and costly
material.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account