Mr. and Mrs. Lucian Damerel, as befitted young people untroubled by
considerations of economy, resided in one of those smaller streets in
Mayfair wherein one may find a house large enough to turn round in
without more than an occasional collision with the walls. Such a house
is not so comfortable as a suburban residence at one-tenth the rent, but
it has the advantage of being in the middle of the known world, and if
its frontage to the street is only one of six yards, its exterior may be
made pretty and even taking by a judicious use of flowering plants,
bright paint, and a quaint knocker. The interior is usually suggestive
of playing at doll’s house; but the absence of even one baby makes a
great difference, and in Lucian’s establishment there were no children.
Small as it was, the house was a veritable nest of comfort--Lucian and
Haidee had the instinct of settling themselves amongst soft things, and
surrounding their souls with an atmosphere of æsthetic delight, and one
of them at least had the artist’s eye for colour, and the true
collector’s contempt for the cheap and obvious. There was scarcely a
chair or table in the rooms sacred to the householders and their friends
which had not a history and a distinction: every picture was an
education in art; the books were masterpieces of the binder’s craft; the
old china and old things generally were the despair of many people who
could have afforded to buy a warehouse full of the like had they only
known where to find it. Lucian knew, and when he came into possession of
Lord Simonstower’s legacy he began to surround himself with the fruits
of money and knowledge, and as riches came rolling in from royalties, he
went on indulging his tastes until the house was full, and would hold no
more examples of anything. But by that time it was a nest of luxury
wherein even the light, real and artificial, was graduated to a fine
shade, where nothing crude in shape or colour interfered with the
delicate susceptibilities of a poetic temperament.
Public-domain text, read in full here on John Shaqi.
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