When Lord Saxonstowe was shown into the small drawing-room of this small
house he marvelled at the cleverness and delicacy of the taste which
could make so much use of limited dimensions. It was the daintiest and
prettiest room he had ever seen, and though he himself had small
inclinations to ease and luxury of any sort, he drank in the
pleasantness of his surroundings with a distinct sense of personal
gratification. The room was empty of human life when he entered it, but
the marks of a personality were all over it, and the personality was
neither masculine nor feminine--it was the personality of a neuter
thing, and Saxonstowe dimly recognised that it meant Art. He began to
understand something of Lucian as he looked about him, and to conceive
him as a mind which dominated its enveloping body to a love of beauty
that might easily degenerate into a slavedom to luxury. He began to
wonder if Lucian’s study or library, or wherever he worked, were
similarly devoted to the worship of form and colour.
He was turning over the leaves of an Italian work, a book sumptuous in
form and wonderful in its vellum binding and gold scroll-work, when a
rustle of skirts aroused him from the first stages of a reverie. He
turned, expecting to see his hostess--instead he saw a young lady whom
he instinctively recognised as Miss Chilverstone, the girl of the merry
eyes and the innumerable freckles of ten years earlier. He looked at her
closely as she approached him, and he saw that the merry eyes had lost
some of their roguery, but were still frank, clear, and kindly; some of
the freckles had gone, but a good many were still there, adding piquancy
to a face that had no pretensions to beauty, but many to the charms
which spring from the possession of a kindly heart and a purposeful
temperament. Good temper and good health appeared to radiate from Miss
Chilverstone; the active girl of sixteen had developed into a splendid
woman, and Lord Saxonstowe, as she moved towards him, admired her with a
sudden recognition of her feminine strength--she was just the woman, he
said to himself, who ought to be the mate of a strong man, a man of
action and purpose and determination.
She held out her hand to him with a frank smile.
‘Do you remember me?’ she said. ‘It is quite ten years since that
fateful afternoon at Simonstower.’
‘Was it fateful?’ he answered. ‘Yes, I remember quite well. In those
days you were called Sprats.’
‘I am still Sprats,’ she answered, with a laugh. ‘I shall always be
Sprats. I am Sprats to Lucian and Haidee, and even to my children.’
‘To your children?’ he said wonderingly.
‘I have twenty-five,’ she replied, smiling at his questioning look. ‘But
of course you do not know. I have a private orphanage, all of my own, in
Bayswater--it is my hobby. If you are interested in babies and children,
do come to see me there, and I will introduce you to all my charges.’
‘I will certainly do that,’ he said. ‘Isn’t it hard work?’
Public-domain text, read in full here on John Shaqi.
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