TRANSCRIBER’S NOTE:
—Obvious print and punctuation errors were corrected.
LUCINDA
ANTHONY HOPE
LUCINDA
BY
ANTHONY HOPE
AUTHOR OF “THE SECRET OF THE TOWER,” “THE PRISONER
OF ZENDA,” “RUPERT OF HENTZAU,” ETC.
THE RYERSON PRESS
TORONTO
1920
COPYRIGHT, 1920, BY
ANTHONY HOPE HAWKINS
PRINTED IN THE UNITED STATES OF AMERICA
CONTENTS
CHAPTER PAGE
I. THE FACE IN THE TAXI 1
II. THE SIGNAL 13
III. A HIGH EXPLOSIVE 26
IV. THE FOURTH PARTY 38
V. CATCH WHO CATCH CAN! 52
VI. VENICE 64
VII. SELF-DEFENSE 78
VIII. THE NEEDLEWOMAN 91
IX. LIKE TO LIKE 103
X. HER LADYSHIP 116
XI. DUNDRANNANIZATION 131
XII. A SECRET VISIT 144
XIII. AN INTRODUCTION 157
XIV. FOR AULD LANG SYNE 171
XV. THE SYSTEM WORKS 186
XVI. PURPLE—AND FINE LINEN 199
XVII. REBELLION 211
XVIII. THE WINNING TICKET 225
XIX. VIEWS AND WHIMS 239
XX. LIVING FUNNILY 252
XXI. PARTIE CARRÉE 264
XXII. SUITABLE SURROUNDINGS 276
XXIII. THE BANQUET 288
XXIV. THE MASCOT 299
XXV. HOMAGE 312
XXVI. THE AIR ON THE COAST 325
XXVII. IN FIVE YEARS 339
LUCINDA
CHAPTER I
THE FACE IN THE TAXI
HIS “Business Ambassador” was the title which my old chief, Ezekiel
Coldston, used to give me. I daresay that it served as well as any
other to describe with a pleasant mixture of dignity and playfulness,
the sort of glorified bag-man or drummer that I was. It was my job
to go into all quarters of the earth where the old man had scented a
concession or a contract—and what a nose he had for them!—and make it
appear to powerful persons that the Coldston firm would pay more for
the concession (more in the long run, at all events) or ask less for
the contract (less in the first instance, at all events) than any other
responsible firm, company, or corporation in the world. Sir Ezekiel (as
in due course he became) took me from a very low rung of the regular
diplomatic ladder into his service on the recommendation of my uncle,
Sir Paget Rillington, who was then at the top of that same ladder. My
employer was good enough to tell me more than once that I had justified
the recommendation.
Public-domain text, read in full here on John Shaqi.
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