“He jumped to his feet as if I had struck him, and broke out in a
torrent of accusation against me. A few minutes before he had himself
said that Waldo had told the truth about him. Now he declared that
it was I who had said it. I hadn’t said anything of the sort—at all
events, meant anything of the sort. I suppose I was sore in my heart,
but I should never have said a word. But he would have it that I had
meant it. He talked very fast, he never stopped. And—I must tell
you the truth, Julius—it all seemed rather ridiculous to me, rather
childish. I believe that I listened to most of it smiling—oh, not a
merry smile, but a smile all the same. I was waiting for him to work
himself out, to run down; it was no good trying to interrupt. And all
the time the contrast was in my mind—between him and Waldo, between
Waldo’s anger and—this! I felt as I suppose a woman feels towards her
naughty child; I wanted to scold and to kiss him both at once. I even
thought of that wicked nickname that Waldo has for him! At last—after
a great deal of it—he dashed one hand through his hair, thumped the
table with the other, and flung out at me, ‘Then go to him! Go to your
English gentleman! Leave me in the gutter, where I belong!’ And he
rushed out of the room. I heard his steps pattering up the stone stairs
to his own floor.”
“You must have been terribly distressed,” I said—or something formal of
that kind.
“No. I didn’t believe that anything had really happened. I waited half
an hour to let him cool down. But Mother might be back every minute;
there was still that question about Cragsfoot! I had to have some
answer! I went up to his apartment and knocked. I got no answer. I went
down to Amedeo the _portière_, and he told me that Arsenio had gone
out ten minutes before—I hadn’t heard his footsteps coming down again,
he must have stolen down softly; he was carrying a bag, had a gondola
called, and went off in the direction of the station, saying that he
would be back in a few days. That was the end of—Venice!”
She came to a stop, gently strumming her fingers on the arm of her
chair. On an impulse I leant forward and asked her a question: “Are you
Madame Valdez now, Lucinda?”
“Donna Lucinda Valdez, at your service, sir! Since the day after you
saw me in the taxi.”
“Then he must have explained—Venice?”
“Never. From the first day that we met again, we have never mentioned
Venice.” She touched my arm for a moment. “I rather like that. It seems
to me rather a tactful apology, Julius. He began courting me all afresh
when he came to England. At least he took it up from where it had
stopped at Cragsfoot.”
“It may be tactful; it’s also rather convenient,” I commented gruffly.
“It avoids explanations.”
Public-domain text, read in full here on John Shaqi.
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