“I think my mind really made itself up the moment I saw Arsenio. The
rest was—tactics! I mustn’t see Waldo; I invented excuses. Waldo
mustn’t see Arsenio—that at all costs! He always suspected Arsenio,
and Arsenio might give it away—you know his malicious little airs of
triumph when he scores! You picture me as miserable? No! I was fearful,
terrified. But I was irrepressibly excited—and at last happy. My doubt
was done and ended.”
“You were not ashamed?” I ventured.
“Yes, I was ashamed too—because of Aunt Bertha and Sir Paget. Because
of them, much more than because of Waldo. They loved me; they had taken
me to be, as it were, their daughter. Between Waldo and Arsenio it had
always been a fight—yes, from that first day at Cragsfoot. I was the
prize! But in a way I was also just a spectator. I mean—in the end I
couldn’t help which won; something quite out of my power to control had
to decide that. And that something never had any doubt. How could I go
against everything that was real in me?”
“I think you are rather primitive,” I said. “It seems to you a fight
between the males. You await the issue. Well—and what’s happened? I
hope things are—flourishing now?”
She looked at me with one of her slow-dawning smiles; evidently, for
some reason, she was amused at me, or at the question which I had put.
“I’ve spent the greater part of the waking hours of three days with
you, Julius. I’ve walked, lunched, and dined with you. I’ve talked to
you interminably. You must have looked at me sometimes, haven’t you?”
“I’ve looked at you, to tell the truth, a great deal.”
“And you’ve noticed nothing peculiar?”
“I shouldn’t use the word ‘peculiar’ to describe what I’ve noticed.”
“Not, for instance, that I’ve always worn the same frock?” She was
leaning her elbows on the table now, her chin resting between her
hands. “And what that means to a charming woman—oh, we agreed on
that!—invited out by a fine figure of a man——! And yet you ask if
things are flourishing!”
“By Jove, I believe you have! It’s a very pretty frock, Lucinda. No,
but really it is!”
“It’s an old friend—and my only one. So let’s speak no evil of it.” Yet
she did speak evil of the poor frock; she whispered, “Oh, how I hate
it, hate it, this old frock!” She gave a little laugh. “If it came my
way, I wonder whether I could resist splendor! Guilty splendor!”
“Didn’t poor old Waldo present himself to you—oddly, I must say—rather
in that light? And you resisted!”
“I’ve changed. You’re talking to a different woman—different from
the girl I’ve been boring you about. The girl I’ve been boring you
about wouldn’t—couldn’t—marry Waldo with Arsenio there; I—the I that
am—could and, I think, would.”
“Because of your old friend here?” I touched lightly the sleeve of her
gown.
“For what it has meant, and does mean—oh, and for itself too! I’m no
heroine. Primitive women love finery too.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account