It may seem absurd—an affectation of language—to call a voice “dainty,”
but the epithet is really appropriate to Arsenio Valdez’s way of
talking, whether in Spanish, Italian, or English. As was natural, he
spoke them all with equal ease and mastery, but he used none of them
familiarly; each was treated as an art, not in the choice of words—that
would be tedious in every-day life—but in articulation. We others used
often to chaff him about it, but he always asserted that it was the
“note of a Castilian.”
There he stood, at the bottom corner of St. James’s Street, neat, cool,
and trim as usual—like myself, he was wearing a wedding garment—and
looking his least romantic and his most monkeyish: he could do wonders
in either direction.
“Hullo! what tree have you dropped from, Monkey?” I asked. But then I
went on, without waiting for an answer. “I say, that taxi must have
passed you too, didn’t it?”
“A lot of taxis have been passing. Which one?”
“The one with the girl in it—the girl like Lucinda. Didn’t you see her?”
“I never saw a girl like Lucinda—except Lucinda herself. Have you
lunched? No, I mean the question quite innocently, old chap. Because,
if you haven’t, we might together. Of course you’re bound for the
wedding as I am? At least, I can just manage, if the bride’s punctual.
I’ve got an appointment that I must keep at three-fifteen.”
“That gives you time enough. Come and have lunch with me at White’s.”
I put my arm in his and we walked up the street. I forgot my little
excitement over the girl in the cab.
Though he was a pure-blooded Spaniard, though he had been educated
at Beaumont and Christ Church, Valdez was more at home in Italy than
anywhere else. His parents had settled there, in the train of the
exiled Don Carlos, and the son still owned a small _palazzo_ at Venice
and derived the bulk of his means (or so I understood) from letting
the more eligible floors of it, keeping the attics for himself.
Here he consorted with wits, poets, and “Futurists,” writing a bit
himself—Italian was the language he employed for his verses—till he
wanted a change, when he would shoot off to the Riviera, or Spain, or
Paris, or London, as the mood took him. But he had not been to England
for nearly two years now; he gave me to understand that the years of
education had given him, for the time, a surfeit of my native land: not
a surprising thing, perhaps.
“So I lit out soon after our stay at Cragsfoot, and didn’t come back
again till a fortnight ago, when some business brought me over. And I’m
off again directly, in a day or two at longest.”
“Lucky you’ve hit the wedding. I suppose you haven’t seen anything of
my folks then—or of the Knyvetts?”
“I haven’t seen Waldo or Sir Paget, but I’ve been seeing something of
Mrs. Knyvett and Lucinda since I got here. And they were out in Venice
last autumn; and, as they took an apartment in my house, I saw a good
deal of them there.”
Public-domain text, read in full here on John Shaqi.
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