Lucius Davoren; or, Publicans and sinners, vol. 1Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 1
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
‘Bless you!’ exclaims Geoffrey, clutching the prize. ‘Welcome to our
tents! I would welcome Beelzebub if he brought me a pipe of tobacco.
But if one fills, all fill—that’s understood. We are brothers in
misfortune, and must share alike.’
‘Fill, and be quick about it,’ says the stranger. So the three fill
their pipes, light them, and their souls float into Elysium on the
wings of the seraph tobacco.
The stranger also fills and lights and smokes silently, but not with a
paradisiac air, rather with the gloomy aspect of some fallen spirit,
to whose lost soul sensuous joys bring no contentment. His large dark
eyes—seeming unnaturally large in his haggard face—wander slowly round
the walls of the hut, mark the bunks filled with dried prairie grass,
and each provided with a buffalo robe. Indications of luxury these.
Actual starvation would have reduced the wanderers to boiling down
strips of their buffalo skins into an unsavoury soup. Slowly those
great wan eyes travel round the hut. Listlessly, yet marking every
detail—the hunting knives and fishing tackle hanging against the
wall, Geoffrey’s handsome collection of rifles, which have been the
admiration of every Indian who has ever beheld them. The stranger’s
gaze lingers upon these, and an envious look glimmers in his eyes.
Signs of wealth these. He glances at the three companions, and wonders
which is the man who finds the money for the expedition, and owns these
guns. There could hardly be three rich fools mad enough to waste life
and wealth on such wanderings. He concludes that one is the dupe, the
other two adventurers, trading, or hoping to trade, upon his folly.
His keen eye lights on Hossack, the man who talked about Balliol. Yes,
he has a prosperous stall-fed look. The other, Lucius, has too much
intelligence. The little German is too old to spend his substance upon
so wild a scheme.
Those observant eyes of the stranger’s have nearly completed their
circuit, when they suddenly fix themselves, seem visibly to dilate, and
kindle with a fire that gives a new look to his face. He sees an object
hanging against the wall, to him as far above all the wonders of modern
gunnery as the diamonds of Golconda are above splinters of glass.
He points to it with his bony finger, and utters a strange shrill
cry of rapture—the ejaculation of a creature who by long solitude, by
hardship and privation, and the wild life of forests and deserts, has
lapsed into an almost savage condition.
‘A fiddle!’ he exclaims, after that shrill scream of delight has melted
into a low chuckling laugh. ‘It’s more than a year since I’ve seen a
fiddle, since I lost mine crossing the McKenzie river. Let me play upon
it.’
This in a softer, more human tone than any words he had previously
spoken, looking from one to the other of the three men with passionate
entreaty.
‘What! you play the fiddle, do you?’ asked Lucius, emptying the ashes
from his pipe with a long sigh of regret.
‘It is yours, then?’
Public-domain text, read in full here on John Shaqi.
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