Lucius Davoren; or, Publicans and sinners, vol. 2Braddon, M. E. (Mary Elizabeth)
General
Lucius Davoren; or, Publicans and sinners, vol. 2
Braddon, M. E. (Mary Elizabeth)
Domestic fiction; Psychological fiction
behind him.”’
‘Did you act upon this information, Lady Baker?’ asked Geoffrey.
‘I went to Milford next day, and with some difficulty found the house
in which the Vandeleurs had lodged; but Mrs. Vandeleur had left the
town within the last few weeks with her little girl, and no one could
tell me what had become of her. She was very good, very honourable,
very unhappy, the landlady told me; had lived in the humblest way, and
supported herself by teaching music after her husband left her. I made
the woman describe her to me, and the description exactly fitted Janet.’
‘You have not heard a Mrs. Bertram, a singer who appeared at a good
many concerts in London last winter?’
‘No. I spent last winter in Paris. Do you mean to tell me that this
Mrs. Bertram is Janet Davoren under an assumed name?’
‘I hardly feel myself at liberty to tell you even as much as that
without permission from the lady herself. But since you have been so
very good to me, Lady Baker, I cannot be churlish enough to affect
secrecy in anything that concerns myself alone. You have guessed
rightly. I am attached to this lady, and my dearest hope is that I may
win her for my wife; but to do this I must discover the fate of her
infamous husband, since she refuses to repudiate a tie which I have
strong reason to believe is illegal. And now, Lady Baker, pray show me
those photographs, and let me see if the man who ruined Janet Davoren’s
bright young life is really the man I met in the American backwoods.’
‘Come to my room,’ said Lady Baker, ‘and you shall see them.’
She led the way to a charming apartment on the upper story, and at
one end of the house, spacious, luxurious, with windows commanding
every angle of view—bow-windows overhanging the river on one side, an
oriel commanding the distant hills on another, long French windows
opening upon a broad balcony on the third. Here were scattered those
periodicals with which Lady Baker fortified her mind, and supplied
herself with the latest varieties in opinion; here were divers
davenports and writing-tables at which Lady Baker penned those
delightful epistles which were doubtless destined to form part of the
light literature of the next generation, printed on thickest paper, and
sumptuously bound, and adorned with portraits of her ladyship after
different painters, and at various stages of her distinguished career.
Here, on a massive stand, were numerous portfolios of photographs, one
of which was labelled ‘Personal Friends.’
‘You will find the groups in that, Mr. Hossack,’ she said, and looked
over Geoffrey’s shoulder while he went slowly through the photographs.
They came presently to a garden scene, a group of young men and women
against a background of sunlit lawn and river; light rustic chairs
scattered about, a framework of summer foliage, a tea table on one
side, a Blenheim spaniel and a Maltese terrier in the foreground.
Public-domain text, read in full here on John Shaqi.
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