This eBook was produced by Tapio Riikonen and David Widger PART THE SECOND. PROLOGUE TO PART THE SECOND. The century has advanced. The rush of the deluge has ebbed back; the old landmarks have reappeared; the dynasties Napoleon willed into life have crumbled to the dust; the plough has passed over Waterloo; autumn after autumn the harvests have glittered on that grave of an empire. Through the immense ocean of universal change we look back on the single track which our frail boat has cut through the waste. As a star shines impartially over the measureless expanse, though it seems to gild but one broken line into each eye, so, as our memory gazes on the past, the light spreads not over all the breadth of the waste where nations have battled and argosies gone down,--it falls narrow and confined along the single course we have taken; we lean over the small raft on which we float, and see the sparkles but reflected from the waves that it divides. On the terrace at Laughton but one step paces slowly. The bride clings not now to the bridegroom's arm. Though pale and worn, it is still the same gentle face; but the blush of woman's love has gone from it evermore. Charles Vernon (to call him still by the name in which he is best known to us) sleeps in the vault of the St. Johns. He had lived longer than he himself had expected, than his physician had hoped,--lived, cheerful and happy, amidst quiet pursuits and innocent excitements. Three sons had blessed his hearth, to mourn over his grave. But the two elder were delicate and sickly. They did not long survive him, and died within a few months of each other. The third seemed formed of a different mould and constitution from his brethren. To him descended the ancient heritage of Laughton, and he promised to enjoy it long. It is Vernon's widow who walks alone in the stately terrace; sad still, for she loved well the choice of her youth, and she misses yet the children in the grave. From the date of Vernon's death, she wore mourning without and within; and the sorrows that came later broke more the bruised reed,--sad still, but resigned. One son survives, and earth yet has the troubled hopes and the holy fears of affection. Though that son be afar, in sport or in earnest, in pleasure or in toil, working out his destiny as man, still that step is less solitary than it seems. When does the son's image not walk beside the mother? Though she lives in seclusion, though the gay world tempts no more, the gay world is yet linked to her thoughts. From the distance she hears its murmurs in music. Her fancy still mingles with the crowd, and follows on, to her eye, outshining all the rest. Never vain in herself, she is vain now of another; and the small triumphs of the young and well-born seem trophies of renown to the eyes so tenderly deceived.