Among the Chanticleers' lumber there was also no lack of those delicate, sophisticated toys--fans, porcelain cups, engraved seals--that, when the civilisation that played with them is dead, become pathetic and appealing, just as tunes once gay inevitably become plaintive when the generation that first sang them has turned to dust. But those particular toys, one felt, could never have been really frivolous--there was a curious gravity about their colouring and lines. Besides, the moral of the ephemeral things with which they were decorated was often pointed in an aphorism or riddle. For instance, on a fan painted with wind-flowers and violets were illuminated these words: "Why is Melancholy like Honey? Because it is very sweet, and it is culled from Flowers." These trifles clearly belonged to a later period than the masks and costumes. Nevertheless, they, too, seemed very remote from the daily life of the modern Dorimarites. Well, when they had whitened their faces with flour and decked themselves out to look as fantastic as possible, Master Nathaniel seized one of the old instruments, a sort of lute ending in the carving of a cock's head, its strings rotted by damp and antiquity, and, crying out, "Let's see if this old fellow has a croak left in him!" plucked roughly at its strings. They gave out one note, so plangent, blood-freezing and alluring, that for a few seconds the company stood as if petrified. Then one of the girls saved the situation with a humourous squawk, and, putting her hands to her ears, cried, "Thank you, Nat, for your cat's concert! It was worse than a squeaking slate." And one of the young men cried laughingly, "It must be the ghost of one of your ancestors, who wants to be let out and given a glass of his own claret." And the incident faded from their memories--but not from the memory of Master Nathaniel. He was never again the same man. For years that note was the apex of his nightly dreams; the point towards which, by their circuitous and seemingly senseless windings, they had all the time been converging. It was as if the note were a living substance, and subject to the law of chemical changes--that is to say, as that law works in dreams. For instance, he might dream that his old nurse was baking an apple on the fire in her own cosy room, and as he watched it simmer and sizzle she would look at him with a strange smile, a smile such as he had never seen on her face in his waking hours, and say, "But, of course, you know it isn't really the apple. It's the Note." The influence that this experience had had upon his attitude to daily life was a curious one. Before he had heard the note he had caused his father some uneasiness by his impatience of routine and his hankering after travel and adventure. He had, indeed, been heard to vow that he would rather be the captain of one of his father's ships than the sedentary owner of the whole fleet.