Ludvig Holberg, The Founder of Norwegian Literature and an Oxford Student — John Shaqi
Ludvig Holberg, The Founder of Norwegian Literature and an Oxford StudentHammer, S. C. (Simon Christian)
Philosophy
Ludvig Holberg, The Founder of Norwegian Literature and an Oxford Student
Hammer, S. C. (Simon Christian)
Holberg, Ludvig, 1684-1754
In 1728 Copenhagen was devastated by a fire, the extent of which,
comparatively speaking, can only be likened to the famous fire of London
sixty-two years earlier, to which I have already made a reference. In
its consequences, it was even more far-reaching. It closes a chapter of
high political and cultural interest in the history of the
Dano-Norwegian monarchy, and opens a new one, imbued with an entirely
different spirit, the characteristic features of which were Pietism and
Germanism. Denmark, and more especially Copenhagen, became an
intellectual province of Germany, customs and manners being stamped by
the new religious movement, and ordinary life surrounded by a serenity
which closed the door on all pleasures and enjoyments. It goes without
saying that theatrical performances were considered most sinful, and
that, even if the national stage had not had to go into bankruptcy some
years before the fire, playgoing would have been promptly forbidden
along with balls, masquerades, and other public and private
entertainments.
Under these circumstances Holberg who, not long ago had published his
autobiography as a sort of apology--a literary event which, for various
reasons, has been very much discussed by Holberg students--had to give
up his activity as a playwright and turn to a work more in conformity
with his position as a professor in the University of Copenhagen. But
before he did so, he felt it his duty to inform the public that he was
the author of the comedies which had hitherto appeared under the
fictitious name of a citizen of a provincial town. He certainly did not
tell the public anything new by this information, but he impressed it
favourably and, what is more important still, he has profited by it in
the eyes of posterity. We are pleased to learn, through the authority of
Holberg himself on the eve of his long silence as a playwright, that he
admits the authorship of his immortal comedies in face of enemies whose
machinations might have overthrown him from behind, if he had not turned
round to meet them and confronted them with an open visage.
Public-domain text, read in full here on John Shaqi.
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