As a matter of fact, the princely infant had seen the light two
days earlier, but the event had been kept a secret in order to give
Ludwig I. a pleasant surprise, the King having expressed a wish that a
possible hereditary prince might come into the world on that day. The
child was named after him, and he held it himself at the font.
The old King at that time was at the height of his popularity. Soon,
however, a turning-point set in: the dancer Lola Montez invaded
the lovesick Monarch's life, causing a violent insurrection in the
Bavarian capital. Then came the democratic rising of 1848, general
all over Europe, which threw fuel on the fire. Ludwig was compelled
to abdicate, and was succeeded by his son, Maximilian Joseph, who
ascended the throne under the title of Maximilian II.
Shortly after these political disturbances took place the young Queen
was brought to bed of another son, who was named Otto. [1] The effect
on her of the alarm and excitement caused by the aforesaid events,
was such that he came into the world three months too early. The
physicians declared that it was impossible for the child to live,
but they proved to be mistaken in their opinion.
Both the Crown Prince and his brother were unusually good-looking,
and it was a brilliant sight when the popular and beautiful Queen
walked about the streets of Munich, with her handsome boys beside
her. Maternal joy and pride shone from her eyes, and the glance
of the people was directed with genuine admiration on her and her
children. Otto was the one who most resembled his mother. Being,
moreover, lighthearted and accessible, he was also the one to whom
the prize of beauty was awarded by popular opinion. Ludwig's beauty
was of a more uncommon and intellectual type, a noteworthy feature
of his face being the large, brilliant, and dark-blue eye. The boys
were always dressed each in his particular colour, which the Queen
herself had chosen. Otto in red, and Ludwig in blue--the national
colours of Bavaria. Not only were Ludwig's clothes blue in tint, but
also, as far as was possible, his various other small possessions
and necessities; such, for instance, as the binding of his books,
his drawing portfolios, and his volumes of music. This hue always
continued to be his favourite colour.
Public-domain text, read in full here on John Shaqi.
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