The country was surprised at the King's choice; no one could understand
why he had so suddenly taken this decision. The news was received with
sympathy, but at first without real enthusiasm. The three former Kings
of Bavaria had had Protestant wives, and the Protestant part of the
population would have preferred Ludwig to make a similar choice. In
the capital itself, however, people were very well satisfied. As
he had in no way been influenced, and as there could be no political
grounds for a marriage with a member of the royal house, it was assumed
that inclination alone had dictated his proposal; and this assumption
seemed in accord with his leaning towards the romantic. It was hoped,
moreover, that the marriage would chase away his love of solitude,
which had already begun to show itself, and also that the court would
gain in brilliancy.
Ludwig understood how to throw glamour on his alliance; and, little by
little, people began to show interest in his bride. Double portraits
of the young couple were to be seen everywhere; and men and women of
the populace would stand for hours in pouring rain to catch a glimpse
of the Duchess. During the Carnival the young Monarch gave a series of
balls; and on the 28th of February the engaged couple were present at
an entertainment given in their honour by the Minister of the Royal
House and of Foreign Affairs, Prince Hohenlohe. On the 23rd of March
they took part in a masquerade at the Casino.
The King appointed the 12th of October as the day of his wedding;
both his father and grandfather had been married on that day. On
the occasion of Maximilian II.'s marriage, a respectable couple in
poor circumstances, chosen from each of the provinces of the kingdom,
had been given 1000 guldens from the royal exchequer. It was decided
that a similar sum should be distributed on Ludwig's marriage. In all
circles of society and all parts of the kingdom wedding presents were
in course of preparation. The city of Munich built a coach decorated
with cupids, which cost 100,000 guldens. The Palatinate sent some
fine horses from the noted stud of Zweibrücken, and a cask of noble
wine. In the royal Palace the so-called garden suite was fitted up
for the reception of the future Queen. This had formerly been used by
Ludwig I. and Maximilian II.; but Ludwig intended to retain his old
apartments, which were situated above those destined for Sophie. The
painted ceiling in the vestibule, which dates from the seventeenth
century, was tastefully restored; and the Palace was soon brilliant
with truly royal lustre. In the chief workshops of the city workmen
were designing, hammering, carving, and forging household utensils
and articles of ornament. Commemorative medals were struck bearing
the heads of the King and his bride, and the most skilful engravers of
the country drew the young Duchess, in order that her picture might be
spread abroad on the marriage day in hundreds of thousands of copies.
Public-domain text, read in full here on John Shaqi.
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