American fiction; Horror tales, American; Short stories, American
“When old man Eversleigh died,” he resumed, “the income of the fortune
was divided equally among his sons. You know what the others did with
their shares: palaces in New York and London and Paris, chateaux on
the Breton Coast, deer and grouse moors in Scotland, steam yachts and
all the rest of it, the same as they have kept it up ever since. At
first Vortigern Eversleigh went in for all that sort of thing harder
than any one of his brothers. But when his wife died, more than forty
years ago, he stopped all that at once. He sold everything else,
bought this place, put the wall round it and built that infinity of
structures inside. You’ve seen the pinnacles and roofs of them, and
that’s all anybody I ever talked to has ever seen of them since they
were finished about five years after his wife’s death. You’ve seen
the two gate-houses and you know each is big even for a millionaire’s
mansion. You can judge of the size and extent of the complication of
buildings that make up the castle or mansion-house or whatever you
choose to call it. There Vortigern Eversleigh lived. Not once did he
ever leave it that I can learn of. There he died. Since his death, full
twenty years ago, his share of the Eversleigh income has been paid
to his heir. No one has ever seen that heir. From what I’ll tell you
presently you’ll see as I have that the heir is probably not a woman.
But nobody knows anything about him, he has never been outside these
miles of wall. Yet not one of the greedy, selfish Eversleigh grandsons
and grand-daughters, and sons-in-law and daughters-in-law, has ever
objected to the payment to that heir of the full entire portion of
Vortigern Eversleigh, and that portion has been two hundred thousand
dollars a month, paid in gold on the first banking day of each month.
I found that out for sure, for there have been disputes about the
division of Wulfstan Eversleigh’s share and of Cedric Eversleigh’s
share and I made certain from the papers in the suits. All that money,
or the value of it, has been either reinvested or spent inside that
park wall. Not much has been reinvested. I got on the track of the
heir’s purchases. He buys musical instruments any quantity and at
any price. Those were the first things I made sure of. And artists’
materials, paints, brushes, canvas, tools, woods, clay, marble, tons
of clay and great blocks of superfine-grained marble. He’s no magpie
collecting expensive trash for a whim; he knows what he wants and why;
he has taste. He buys horses and saddlery and carriages, furniture and
carpets and tapestries, pictures, all landscapes, never any figure
pictures, he buys photographs of pictures by the ten thousand, and he
buys fine porcelains, rare vases, table silver, ornaments of Venetian
glass, silver and gold filigree, jewelry, watches, chains, gems,
pearls, rubies, emeralds and--diamonds; diamonds!”
Thwaite’s voice shook with excitement, though he kept it soft and even.
Public-domain text, read in full here on John Shaqi.
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