American fiction; Horror tales, American; Short stories, American
“The valets or keepers, whichever they are, and there are many of them,
to relieve each other, are all unmarried except two or three of the
most trusted. The rest are all brought over from England and shipped
back usually after four or five years of service. The men I overheard
were two of these, an old hand soon to finish his enlistment, as he
called it, and go home, and the lad he was training to take his place.
All these specials have plenty of time off to spend outside. They’d
sit over their beer for two or three hours at a time, chatting on,
Appleshaw giving points to Kitworth or Kitworth asking questions. I
learnt from them about the cross-wall.”
“Never’s been a woman t’ other side of it since it was built,”
Appleshaw said.
“I shouldn’t have thought it,” Kitworth ruminated.
“Can you imagine a woman,” Appleshaw asked, “standin’ him?”
“No,” Kitworth admitted, “I hardly can. But some women’ll stand more’n
a man.”
“Anyhow,” Appleshaw added, “he can’t abide the sight of a woman.”
“Odd,” said Kitworth, “I’ve heard his kind are all the other way.”
“They are, as we know,” Appleshaw replied, “havin’ watched ’em; but he
ain’t. He can’t endure ’em.”
“I suppose it’s the same way about dogs,” Kitworth reflected.
“No dog’d ever get used to him,” Appleshaw agreed, “and he’s that
afraid of dogs, they’re not allowed inside the place anywhere. Never’s
been one here since he was born, I’m told. No, nor any cat, either, not
one even.”
Another time I heard Appleshaw say:
“He built the museums, and the pavilion and the towers, the rest was
built before he grew up.”
Generally I could not hear much of Kitworth’s utterances, he talked so
low. I once heard Appleshaw reply:
Sometimes nights and nights he’ll be quiet as anybody, lights out early
and sleep sound for all we know. Again he’ll be up all night, every
window blazin’, or up late, till after midnight. Whoever’s on duty
sees the night out, nobody else’s business, unless they send an alarm
for help, and that ain’t often; not twice a year. Mostly he’s as quiet
as you or me, as long as he’s obeyed.
“His temper’s short though. Now he’ll fly into a rage if he’s not
answered quick; again he’ll storm if the watchers come near him
uncalled.”
Of long inaudible whispers I caught fragments.
Once:
“Oh, then he’ll have no one near. You can hear him sobbing like a
child. When he’s worst you’ll hear him, still nights, howlin’ and
screamin’ like a lost soul.”
Again:
“Clean-fleshed as a child and no more hairy than you or me.”
Again:
“Fiddle? No violinist can beat him. I’ve listened hours. It makes you
think of your sins. An’ then it’ll change an’ you remember your first
sweetheart, an’ spring rains and flowers, an’ when you was a child on
your mother’s knee. It tears your heart out.”
The two phrases that seemed to mean most were:
“He won’t stan’ any interference.”
And:
“Never a lock touched till daylight after he’s once locked in.”
“Now what do you think?” Thwaite asked me.
Public-domain text, read in full here on John Shaqi.
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